Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

The Rolling Stone Encyclopedia of Rock & Roll (Revised and Updated for the 21st Century) Review

The Rolling Stone Encyclopedia of Rock and Roll (Revised and Updated for the 21st Century)
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There are two reasons why I had to get this book. Firstly, my 1995 copy crumbled into an oblivion of dry glue, a spine torn in half and a cover too flabby to endure. I did turn to the book often for information, but from the looks of it, you'd think I shot it out of a canon once a week as well. The book is just as cheaply constructed as other reviewers contend, while the Q Rock Stars Encyclopedia is much friendlier to the reader both aesthetically and physically. Secondly, Rolling Stone's web site used to contain all the information found in this book. Recently, though, the disappointing decision was made to scrap those lengthier and more informative biographies for the infuriatingly cursory headnotes they recently replaced them with.
Some of the omissions noted by other reviewers here are remarkable not necessarily because of the bands omitted, but because of the "artists" Rolling Stone replaced them with. I mean, come on, the guys in Great White aren't exactly pioneers, and why anyone thinks the exclusion of Wierd Al Yankovic is at all noteworthy mystifies me. But to leave them out for Britney Spears? Ricky Martin? What a blow! Couldn't we just scrap Milli Vanilli, for the love of God? It isn't as though Tiffany, who is included in this book, will be remembered any more than Britney 30 years from now; nonetheless I don't consider either pop star worthy of inclusion at the expense of decently talented blues bands such as Great White who at least know what a "chord" is. The real crime with regard to the debate over who's in and who's out is the exclusion of various Native American songwriters such as Jim Boyd or Bill Miller. The former in particular continues to make unbelievable folk rock (some of which was featured on the "Smoke Signals" Soundtrack). The work Boyd has done with Sherman Alexie (songs like the incomparable "Million Miles Away") especially warrants recognition here.
Those objections aside, this really is a nearly inexhaustible resource for fans of any of the 1,900+ bands the book takes a look at. I think that the distant tone with which the entries are written will infuriate more passionate fans who think their heroes aren't getting the accolades they deserve. But as an Encyclopedia's duty is to provide the essential information, this book at least succeeds more often than it fails. My own relationship with its past and current editions is going on about 8 years now. Along with the "Rough Guide to Rock" or the "Encyclopedia of Record Producers," it continues to be one of the few resources I run to for answers to questions or quick tutorials on bands whose work I am yet to be familiar with. I think it should also be noted that people ought not to be mislead by the "Rock 'N Roll" title, as the book includes many bluegrass, country, and folk artists who may not immediately be associated with Rock 'N Roll per say, but who influenced the genre to such an extent that their exclusion from this book would have been egregious. I mean people like Dave Van Ronk, Bill Monroe or Townes Van Zandt.

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Completely updated with new entries and extensive revisions of the previous 1,800, The Rolling Stone Encyclopedia Of Rock & Roll is the authoritative volume on the world's music makers -- from the one-hit wonders to the megastars. In 1983, Rolling Stone Press introduced its first Rock & Roll Encyclopedia. Almost two decades later, it has become the premier guide to the history of rock & roll, and has been selected by the Rock and Roll Hall of Fame & Museum as its official source of information. Giving full coverage to all aspects of the rock scene, it tells the story of rock & roll in a clear and easy reference format, including complete discographies, personnel changes for every band, and backstage information like date and place of birth, from Elvis Presley to Eminem. Since the last edition, the music scene has exploded in every area, from boy-bands to hip-hop, electronica to indie rock. Here, the Encyclopedia explores them all -- 'NSync, Notorious B.I.G., Ricky Martin, Radiohead, Britney Spears, Blink-182, Sean "Puffy" Combs, Portishead, Fatboy Slim, Fiona Apple, Lil' Kim, Limp Bizkit, Oasis, Outkast, Yo La Tengo, TLC, and many, many more. The Rolling Stone Encyclopedia of Rock & Roll, Third Edition includes all the facts, phenomena, and flukes that make up the history of rock. Accompanying the biographical and discographical information on the nearly 2,000 artists included in this edition are incisive essays that reveal the performers' musical influences, first breaks, and critical and commercial hits and misses, as well as evaluations of their place in rock history. Filled with hundreds of historical photos, The Rolling Stone Encyclopedia is more than just a reference book, it is the bible of rock & roll.

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The Bully from the Black Lagoon Review

The Bully from the Black Lagoon
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It's a good book. It's actually very short.
It's about the class and everyone is talking about the new kid that Hubie is getting in his class. They think the new kid knocked people's heads off, crashes into people on purpose, kicks people, and gives them wedgies. On Thursday, when Hubie walks around the corner, he bumps into the new kid. Hubie apologizes and the new kid is actually very nice. They make a deal that they will never bump into each other again.
You can't judge a book by its cover. You can't believe that someone is really mean unless you know them. If you don't know them. You don't know if they are mean, nice, curious, shy, or anything -- you don't know unless you know them. So you can't judge a book by its cover.
This book would probably be good for 8 or 9 yar olds that are usually in thrid or fourth grade.
Tryndon
Age 7

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A new title in the bestselling Black Lagoon series!
Hubie has heard there's a new kid in school. His name is Butch Pounder, and he is rumored to be a mean bully! Did Butch really beat up the football team and eat the teacher's pet at his last school?
Hubie thinks he'll end up in the nurse's office, when he finally runs into Butch. But, of course, Hubie's imagination has run away from him again! All Butch wants is a new friend to show him around school, and Hubie is just who he needed!



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Careless Love: The Unmaking of Elvis Presley Review

Careless Love: The Unmaking of Elvis Presley
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First and foremost, this is a depressing book. There is a warning in the author's note that the book is about a tragedy, and this is an understatement. Elvis Presely's "fall" was a hard and bitter one. This book outlines events starting in 1960 up to Presely's death in 1977. Things start out looking pretty good for Elvis as he leaves the army and begins his career almost anew, but as the 1970s emerge, things start to cloud over, and the book follows the downward spiraling vortex that Presley and his somewhat bizarre and almost constantly fluctuating entourage followed up to the end. Along the way, Guralnick allows readers to draw their own conclusions about Presley. Mostly the book outlines details of certain events - sometimes so detailed one wonders if Guralnick was there himself - interspersed with commentary from people who lived through these same events. It is not an uplifting read. One gets the impression that Presley's fame isolated him from pretty much the human race, made him untouchable (reprisals were feared by anyone is his immediate "gang", and it didn't help matters that most of them were on his payroll) and ultimately put him beyond the help of his own family and the people who he thought were his friends. Presely's fame turns horrendously destructive in the 1970s, and some of the stories and anecdotes may make the sensitive reader wince. Some of the stories are just downright strange: Presley's religious enlightenment from seeing an image in the clouds of the face of Stalin turn into the face of Jesus; Presley's determination to secure himself a position of Narcotics officer from President Nixon; the pranks Preseley and his retinue play on each other, on audiences, and on themselves; the fact that, as record sales declined, Presely's revenue actually increased. Other anecdotes have a more disturbing undertow: Presley's manipulation and abject objectification of the women in his life, and the fact that many of them kept coming back even after being brusquely brushed off; Presley's fascination with guns, and his sometime not so comforting habit of pointing them at people when angry; Presely's wild, erratic, and irresponsible spending; Presley's inability to take advice from his wife, girlfriends, business manager, and even his own father on dire personal matters (e.g., his finances, his marriage, his health). It is a tragedy to read about someone who both cared about people but also put himself above others in a way that put him beyond their help or aid.
The figure of "the Colonel" lurks behind the entire story. He has Presley's business needs in mind, and, due to his business acumen, makes Presley (and himself) multi-millionaires beyond imagination. It's amazing to read how the Colonel is able to make more and more money from Movie studios, even as movies starring Presley are on a sharp decline in revenue and popularity. The whole story is mind boggling. In the end, the Colonel thought he was taking care of Elvis in the best way he knew how, but insatiable greed and insular attention to the bottom line and almost nothing else probably hurt Presley more than it helped him in the long run. Guralnick does not say this anywhere in the book. Again, the reader must draw moral conclusions based on the evidence. Guralnick does not moralize apart from calling the story a tragedy, and this makes this biography doubly interesting, as different readers will likely draw different conclusions based on their own interpretations of the delineated events. Who is to blame in the end? Is it fair to blame one or a few people? Is it fair to blame Presley? These questions are not answered (as they shouldn't be) but much food for thought is presented. As usual in life, the answer is far more complicated than mere finger pointing can accommodate. Guralnick handles this subject with eloquence and a distance that pull the reader in and allow for reflection upon what happened. This is not the usual shoddy rock biography that typically clutters the "Music" section of bookstores. This is a story to sink one's cognitive teeth into and reflect upon. Warning: this book will make you think; it will make you moralize; it will make you angry and frustrated at what happened, and it will make you ask "Why?" Regardless if you are an Elvis Presley fan or not (I'm really not; I was very young when Presley passed on) this is a book worth reading. It is a thick book, but a quick read (keep your dictionary handy nonetheless). Once you're in fifty pages or so, you'll probably find yourself stuck on it.

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Exit Here. Review

Exit Here.
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I did. I stayed up all night to read this. I picked it up to 'start' it. Little did I know it would suck me in so fast. I won't give a report about Travis and his life or his love life or his low life friend/s. I will just say I loved this book. I was disturbed, educated, a little shocked in spots, moved, and did I mention sucked in? A really great read.

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Enter apathy. Travis is back from college for the summer, and he's just starting to settle in to the usual pattern at home: drinking, drugging, watching porn, and hooking up. But Travis isn't settling in like he used to; something isn't right. Maybe it's that deadly debauch in Hawaii, the memories of which Travis can't quite shake. Maybe it's Laura, Travis's ex, who reappears on the scene after a messy breakup and seems to want to get together -- or not. Or maybe it's his suddenly sensing how empty and messed up his life is, and wanting out. But once you're at the party, it's tough to leave...

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How to Kill a Rock Star Review

How to Kill a Rock Star
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...and seeing as it is not 6:30 in the morning, have decided that it's better to just forgo sleep.
i don't know how to explain this book. i don't think that i'm ever going to be able to read the whole thing ever again.
it was joyous and gut-wrenching and euphoric and terrible. it sounds corny but i cried and laughed and for the latter half of the book felt like my heart was going to break.
never have i looked at the last page of any other book i've read before (and i didn't read the whole last page, just glanced at it to spot any key words/names) but i couldn't control myself with this book. it was so emotionally demanding to the point where i felt the anguish the characters were feeling that i had to have some sort of clue of how it would end, just so i could be the reader again and not one of the characters themselves.
the editor's review says that the writing is inelegant... if it was i didn't notice. the meaning behind the words is what grabbed me. it wasn't dickens but it never pretends to be and would have failed if it did.
amazing.
i'm not even tired.

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Study of Counterpoint: From Johann Joseph Fux's Gradus Ad Parnassum Review

Study of Counterpoint: From Johann Joseph Fux's Gradus Ad Parnassum
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This is a great introduction to species counterpoint. It has been in use for many years and was studied by many great composers. It still engages the modern person today because it is concise, imaginative and teaches concepts in a digestible and easy to follow manner.
The form of the book is a relationship between a teacher and student. The student is not the brightest bulb on the tree, but the teacher shows him concept by concept how counterpoint works. This story format is entertaining, but also serves as a way to anchor concepts.
If you are looking for something that is a quick, easy read with lots of good content and historical interest, you will enjoy this. I feel it is a must have for any serious student of music.

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The most celebrated book on counterpoint is Fux's great theoretical work Gradus ad Parnassum.
Since its appearance in 1725, it has been used by and has directly influenced the work of many of the greatest composers. J. S. Bach held it in high esteem, Leopold Mozart trained his famous son from its pages, Haydn worked out every lesson with meticulous care, and Beethoven condensed it into an abstract for ready reference.

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Fretboard Logic SE - Special Edition The Reasoning Behind the Guitar's Unique Tuning + Chords Scales and Arpeggios Complete (Volumes I and II Combined) (Fretboard Logic Guitar Method Ser) Review

Fretboard Logic SE - Special Edition The Reasoning Behind the Guitar's Unique Tuning + Chords Scales and Arpeggios Complete (Volumes I and II Combined) (Fretboard Logic Guitar Method Ser)
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Learning guitar is an odd process. You're supposed to practice, practice, practice. You learn chord shapes. You have lessons. You dissect solos note by note. There appears to be no master plan. Somehow, through a variety of methods, you're supposed to learn. Eventually, you're assured, by some means you're not aware of yet (osmosis?), you'll "get it."
This book is the "it" you're supposed to get.
Far too many books assume that the common methods work. Many an aspiring student has put the guitar in the closet in frustration at something that doesn't address the basic question - What note do I play next?
Bill Edwards has taken the idea of positional relationships to its highest point. If I play a C chord with a barre at the eighth fret, where will I find a convenient F and G position? What shape will I need to play, and what fret should I start from?
This seems to me to be a basic question yet it hardly gets a mention in most books. It seems that if you practice long enough and don't get bored to death, you'll know this.
Bill Edwards shows that the five major chord shapes (C, A, G, E, and D) follow as you move up the fretboard, so you quickly learn that if you're playing a certain shape at a certain fret, the chords you're going to need will be in a specific other shape a specific number of frets away.
This is independent of what key you're playing in, so if you start a 12-bar blues with a A-shape, you can drop down a couple of frets and play an E-shape for the next chord.
I've made it sound far more complex than it is. You'll need the book - make no mistake - and in just a few hours you'll have learned a huge amount of useful stuff.
But this is just the first seventeen of over a hundred pages. The idea of positional relationships is used to describe scales and then the pentatonic blues scale, so you can build solos and know immediately where the next notes are.
Fretboard Logic pulls all the useful stuff from other learning methods together. It shows you *why* you play the notes you do.
I was suspicious of the other reviews here (mainly reprinted from the book's cover), because they sounded so good they couldn't be true. Then I saw the book recommended on the Fender Forum, so I decided to take a chance.
Yeah, you still have to practice. Your fingers won't get supple until you do. But imagine practicing where you're constantly trying something new, and where the musical inspiration flows. That's what you'll get if you study Fretboard Logic.

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The Special Edition is the first two volumes of the Fretboard Logic guitar series combined, at a special discount. Part One deals with the pattern organization of the fretboard which results from the guitar's unique tuning system. Part Two teaches the tone groups of music - Chords, Scales and Arpeggios - by building them in the context of this pervasive pattern organization, and thereby eliminating the usual guesswork and rote memorization associated with these areas of a guitarist's education. This alone can take years off the learning curve. Combined, the two parts form a solid foundation by which a guitarist can intelligently pursue the music styles and technical approaches of their own choosing, and play them on the guitar types which they prefer.

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Effortless Mastery: Liberating the Master Musician Within Review

Effortless Mastery: Liberating the Master Musician Within
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I am only about 3/4s through this book, and I couldn't be more enthusiastic. I happen to love Kenny Werner's piano playing--always heard him and thought "Well, I'll never sound like THAT!"-- only to read his book and have him address this very attitude with unbelievable accuracy. I've already changed the way that I practice my instruments, and I just put some of his approach to work in a 3 day recording session with some players that I admire very much. While I had couple of brief self-doubt meltdowns, the whole experience was so much easier than I had even hoped for, and yes, even "effortless" at times. I know that changing my perspective, and my expectations made a huge difference in my ability to enjoy the moment, and as a result, the music that came forth. I am recommending this book for anyone who has ever played a musical instrument--at ANY level--and stopped, even if it was a long time ago. This book explains what might have gotten in your way of the music-making experience. I also want to recommend it to those of us who play professionally but are either frustrated with our own progress or just not enjoying it as much as we did when we were young. There's no reason music can't be that fun again.

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Paperback book and CD set. Effortless Mastery: Liberating the Master Musician Within is a book for any musician who finds themselves having reached a plateau in their development. Werner, a masterful jazz pianist in his own right, uses his own life story and experiences to explore the barriers to creativity and mastery of music, and in the process reveals that "Mastery is available to everyone," providing practical, detailed ways to move towards greater confidence and proficiency in any endeavor. While Werner is a musician, the concepts presented are for every profession or life-style where there is a need for free-flowing, effortless thinking. Book also includes an audio CD of meditations narrated by Kenny to help the musician reach a place of relaxed focus.

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Ten Thousand Saints: A Novel Review

Ten Thousand Saints: A Novel
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The new novel TEN THOUSAND SAINTS is certainly interesting and to me at least quite original. The book begins on New Year's Eve 1987 in fictional college town Lintonburg,VT (um if you notice Lintonburg contains the exact same letters as Burlington the home of the University of Vermont and the fictional and real cities have many similarities). Two young teenagers, Teddy and Jude, are out partying with their new friend Eliza from Manhattan and tragically Teddy is found dead the next morning after among other things huffing Freon and snorting cocaine. Both Jude and Eliza feel very guilty because Jude pressed the Freon on him and Eliza supplied the cocaine. Actually Eliza offered Teddy more than cocaine that night and she soon discovers she is pregnant from her one time encounter with the now deceased teenager. Eliza, Jude and Teddy's older half brother Johnny form a family of sorts who hope to raise Teddy's baby.
Adults are as important to the story as the teenagers and the effects of parents' actions on their children is a major theme of the book. Jude and his sister Prudence's divorced parents both make their living from marijuana as their dad Les is a prosperous grower and dealer while their artist mother Harriet, perhaps the most stable parent in the novel, makes her living from blowing glass bongs and pipes. Eliza's mom who at the beginning of the story is also Les's girlfriend is a self absorbed ballerina while Teddy and Johnny's mom is an aging hippie known for disappearing when ever things get uncomfortable. Johnny's dad is a prison inmate and Teddy's dad is an unknown man of Asian Indian descent who turns up toward the end of the book and is not what this reader at least expected.
The teenagers turn to Straight Edge music with the accompanying austere lifestyle strongly influenced by Hare Krishna beliefs. It is implied that this is a reaction against their parents' hedonistic ways. Johnny who is a musician and tattoo artist living in the Tompkins Square Park area of Manhattan's alphabet city marries Eliza in hopes of giving his dead brother's baby a chance to stay under his influence even though he has no romantic interest in women. Johnny seems to epitomize the Straight Edge lifestyle and is known as Mr. Clean because of his shaved head and vegan habits.
TEN THOUSAND SAINTS is a novel well worth reading. AIDS, homelessness, gentrification, parenthood, adoption, and drug use are among the many topics incorporated in the book. The author does a great job of bringing the late 1980's in the East Village to detailed life and the choices of the kids and parents in the book will linger in the reader's memory.And the book ends with a very appropriate and effective postscript from 2006 on the last night the famed punk venue CBGB's was open.


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Giraffes Can't Dance Review

Giraffes Can't Dance
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Gerald the Giraffe is one clumsy animal. He's good at standing still and munching shoots off trees but when he wants to join the other animals at the Jungle Dance, they only laugh at him. Not for long, though. His friend the cricket knows how to play the music that inspires Gerald to dance like John Travolta in his best days. Gerald is transformed because "we all can dance ... when we find music that we love."
"Giraffes Can't Dance" is my personal favorite among Max's books. The story is familiar to many kids who go to kindergarten and learn that their peers can be picky about who belongs to the pack and who does not. In the book, the exuberant illustrations of Guy Parker-Rees take the sting out of Gerald's initial rejection by the other animals. Watching the Rhinos rock'n'roll and the lions "dance a tango that was elegant and bold," balances Gerald's sadness. The emphasis of the story is on Gerald's joyful transformation, anyway. Just read Gerald's jubilant "I am dancing! Yes, I'm dancing! I AM DANCING!" with enough liveliness and watch the kids identify with a flying giraffe. After all, the lesson is that you can excel and enjoy who you are even if, at first, the world does not play your tune. With a little help from his friends, Gerald finds out that "sometimes when you're different you just need a different song."
Let me add one short paragraph on Gerald's helpful friends, the cricket and the three small bugs that are hiding on every page. These four little fellows are an ingenious device to soften the impact of the emotional story. Kids are in love with details; once they know what to look for, they will tirelessly search for the bugs and the cricket, and point them out to you. Hint: play dumb and they will have a party.

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Queen: The Complete History Review

Queen: The Complete History
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Very through with many things I didn't know about the albums recording. This would of gotten a higher rating if the print wasn't SO small. All in all a book I am VERY glad to add to my extensive QUEEN collection.

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Queen is one of the most commercially successful musical acts of all time. The group's initial works were chiefly heavy metal orientated, but over time, the band incorporated diverse and innovative styles in their music, exploring the likes of vaudeville, progressive rock and even funk. The band has released a total of 18 number one albums, 18 number one singles and 10 number one DVDs worldwide making them one of the world's best-selling artists. They were inducted into the Rock and Roll Hall of Fame in 2001. As of 2009, the band's worldwide album sales were over 300 million. This book gives you an in-depth look at all the intimate details about each of their albums, including a complete list of every song ever written or recorded by Queen and a thorough analysis of the meanings and circumstances surrounding the writing and recording of each song. All of the customary song specifications are included (year, recording/release dates, album names, genre, length, label, writers, producers, personnel, instruments played, etc), but the heart of the book details the band's lyrical inspirations, collaborative efforts, the actual recording session drama and what occurred behind closed doors. It delves into the effect of the politics of the day on the boys' music and lifestyle, the critical reception of the music and, most importantly, the sometimes controversial relationship between the members of Queen themselves. This is a WikiBits book - a compilation of related copyright-free Wikipedia articles and listings that have been crafted into a physical book that you can take with you.

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The Beach Boys: The Complete History Review

The Beach Boys: The Complete History
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This book is bigger than a phone book. It has a lot of great info, basically everything that's on the wikipedia pages. The book could have been downsized a bit if there was some editing with pages. Some pages might just have a couple of lines (references/links) then the next page starts the next article. The pictures on the site are the same as in the book, but they're black and white. It's been updated all the way until about a year ago. I only say that because it doesn't have a review or mention Brian's new album (BW Reimagines Gershwin). The only info given is the start of his collaborations on two of Gershwin's songs. Great reference guide if you don't have a computer to go to right off hand.

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The Beach Boys formed in 1961 and quickly gained popularity for their close vocal harmonies and lyrics reflecting a Southern California youth culture of cars, surfing and romance. The Beach Boys have often been called "America's Band." The group has had 36 Top 40 hits in the U.S. - the most of any U.S. rock band - and 56 Hot 100 hits, including four number-one singles. Rolling Stone magazine listed The Beach Boys as number 12 in the 100 Greatest Artists of All Time. According to Billboard, in terms of singles and album sales, The Beach Boys are the No.1 selling American band of all time. This book gives you an in-depth look at all the intimate details about each of their albums, including a complete list of every song ever written or recorded by the Beach Boys and a thorough analysis of the meanings and circumstances surrounding the writing and recording of each song. All of the customary song specifications are included (year, recording/release dates, album names, genre, length, label, writers, producers, personnel, instruments played, etc), but the heart of the book details the band's lyrical inspirations, collaborative efforts, the actual recording session drama and what occurred behind closed doors. It delves into the effect of the politics of the day on the boys' music and lifestyle, the critical reception of the music and, most importantly, the sometimes controversial relationship between the Beach Boys themselves. This is a WikiBits book - a compilation of related copyright-free Wikipedia articles and listings that have been crafted into a physical book that you can take with you.

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