Average Reviews:
(More customer reviews)When I saw video from the Japanese tsunami, it struck me how badly Hollywood gets it wrong when it comes to depicting disasters. Hollywood always shows bystanders standing in awe or running away hysterical, while the Japanese video showed people looking so sad at the sight of ocean waves flowing through their city streets. It's that kind of emotional realism that drives Zazen, and what sets Vanessa Veselka apart from other novelists setting their stories in post-911 `life during wartime'-style landscapes.
The novel is from the point of view of Della, a invertebrate paleontologist working as a waitress and who is obsessed by cases of self-immolation. Living under the anxiety of a pending war and bombs going off around the city, Della asks store employees to page her sister (who died years earlier) and starts calling in bomb threats to places around town. It's a bent view of reality the novel creates, and you never know how much of it is Della's creation. (Veselka is remarkably gifted at showing a warped world anchored by emotional realism.)
The bombings create a sense of community, though less with among the victims than those responsible, and after falling in with a crew of Baader-Meinhof type radicals, Della is pulled in different directions: alienation in one extreme and and connectedness in the other. She is also ineffectual at almost everything she tries, whether it's leaving town or convincing the person on the other end of the phone that her bomb threat is real.
It's a novel that reads like a tightly wound rock `n' roll record, its world comes across like a Twilight Zone episode that keeps getting weirder and weirder, and ultimately, it's a story about how hard it is to set yourself on fire.
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Somewhere in Della's consumptive, industrial wasteland of a city, a bomb goes off. It is not the first, and will not be the last.Reactions to the attacks are polarized. Police activity intensifies. Della's revolutionary parents welcome the upheaval but are trapped within their own insular beliefs. Her activist restaurant co-workers, who would rather change their identities than the world around them, resume a shallow rebellion of hair-dye, sex parties, and self-absorption. As those bombs keep inching closer, thudding deep and real between the sounds of katydids fluttering in the still of the city night, and the destruction begins to excite her. What begins as terror threats called in to greasy bro-bars across the block boils over into a desperate plot, intoxicating and captivating Della and leaving her little chance for escape.Zazen unfolds as a search for clarity soured by irresolution and catastrophe, yet made vital by the thin, wild veins of imagination run through each escalating moment, tensing and relaxing, unfurling and ensnaring. Vanessa Veselka renders Della and her world with beautiful, freighting, and phantasmagorically intelligent accuracy, crafting from their shattered constitutions a perversely perfect mirror for our own selves and state.
