The Globalization Paradox: Democracy and the Future of the World Economy Review

The Globalization Paradox: Democracy and the Future of the World Economy
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Every student in economics is familiar with Robert Mundell's triangle of impossibility. Based on the model that the Canadian economist developed with Marcus Flemming in 1962, this trilemma states that it is impossible to have a sovereign monetary policy, free capital flows, and a fixed exchange rate at the same time--that two, and only two, of these objectives could be met. This impossible trinity came to dominate policy debates in Europe in the run-up to the European monetary union in the 1990s--a rare example when the result of a theoretical model had a direct bearing on policy choices.
Although he doesn't develop a formal model, Dani Rodrik offers his own, more ambitious version of the impossibility triangle. The political trilemma of the world economy, as he names it, is that we cannot have deep economic integration ("hyperglobalization"), national sovereignty, and democratic politics at the same time. We have to sacrifice one of the corners of the triangle. And for Rodrik, the objective that has to be abandoned is clear and straightforward. We cannot compromise on democracy, and global governance is nothing but a distant dream. We therefore have to jettison hyperglobalization in favor of a more shallow form of global economic integration, a new version of the compromise that was embodied in the postwar system laid out at Bretton Woods. In particular, unrestricted capital mobility and indiscriminate trade openness will have to go. This will make the world a safer and better place for democracy.
Dani Rodrik, who teaches at Harvard's Kennedy School of Government, is a first-class economist. In academic and policy circles, people talk about him with respect and sometimes even with awe--it is better to have him on the same side of an argument than sitting across the table. Some economists perfidly point out that he has a talent for bending numbers to support his claims-- that he is an expert in the art of political econometrics, or the use of statistical regressions to support one's political positions. But this is how the game of economics ought to be played. Although Rodrik is sometimes considered as a maverick and a lone wolf, he speaks from inside the tent. No one would put into question his qualification as an economist. Sure enough, his arguments are often controversial and even provocative, but they are receivable and debatable by the academic community. "He is one of us", most if not all economists would acknowledge.
This is why his criticism of globalization ought be read with great attention and interest. It comes at a time when the high hopes invested in globalization have receded, and the negative aspects brought about by open borders and financial liberalization now take center stage. At this juncture, as Rodrik underscores, we need a new narrative to shape the next stage of globalization. "Economists have been responsible for the narratives that interpret development success and failure, narratives which in turn have guided policy in many parts of the world." They now have a special responsibility for shaping the debate: because they have been the cheerleaders of the previous phase of global openness, and because they can help distinguish snake oil from real ointments, and separate "the legitimate wheat from the 'protectionist' chaff".
Many prominent economists are now starting to have second thoughts on globalization. True, their choir was never at unison: some had different pitches, and their endorsement of free and open markets often came with caveats and restrictions. Even a staunch free-trader like Jagdish Baghwati expressed warnings about unrestricted capital mobility. Now more voices are beginning to worry about the consequences of deindustrialization, the growth of inequality, and the race to bottom standards and regulations brought about the current wave of globalization in developed economies. As Keynes once famously remarked, "When the facts change, I change my mind--what do you do, sir?" Rodrik, for one, never changed his mind on trade liberalization. He was one of the first economists to bring the debate from the seminar room to the political arena, and to argue against the simplistic case for free trade that is often doled out to journalists to supports claims about the benefits of globalization. He comments the matter with considerable talent and great humor--never was a class discussion on comparative advantage and international trade theory so lively and refreshing.
Dani Rodrik doesn't limit his argument to modern textbook economics. He excavates from the dusty shelves of economics libraries some forgotten books and tracts that are singularly relevant for today. Henry Martyn's Consideration Upon the East-India Trade, written in 1701, anticipates many of the arguments that economists who favored free trade would marshal much later. In 1961, James E. Mead wrote The Economics and Social Structure of Mauritius, and proposed the same kind of diagnostic tools and policy approach that Rodrik and his coauthors would later develop and sell out to the World Bank. This approach, called the "Growth Diagnostics framework", now serves as reference in international policy debates and is quoted approvingly by senior officials from emerging countries who are now the darlings of international gatherings. Development economics has come full circle: as Rodrik notes, "that industrial policy, in whatever guise, is once again considered acceptable, and indeed necessary, speaks volumes about how far we have retreated from the trade fundamentalism of the 1990s."
Rodrik also have his weak points. He is candid about his limitations as a forecaster. He didn't see the Asian crisis coming in 1997, and he got it wrong again in 2007 when he missed the subprime crisis that was brewing in the U.S. More to the point, he picked up the wrong fight in the late 1990s, arguing against free trade when the real menace was coming from the excesses of financial globalization. One gets the feeling he still gives too much importance to the trade agenda as defined by the WTO in comparison to the new trade rules and conditions negotiated away from public scrutiny in the bilateral or regional trade agreements that now span the world in a complex web of policy arrangements. Rodrik is on less familiar ground when the discusses international finance, and his plea for an international transaction tax could have been more substantiated.
In making the case for their pet theory, economists often miss the broader picture. Not so with Dani Rodrik. His list of principles and recommendations that close the book offer an all-encompassing agenda for a better and safer globalization. It is altogether fitting that the quote which best sums up his policy stance was offered by a Chinese student, who recommended to keep the windows open, but without forgetting the mosquito screens. This utterance could have been offered by a future statesman and, considering the wide audience that Dani Rodrik's essay deserves, it could as well be picked up by one.

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Surveying three centuries of economic history, a Harvard professor argues for a leaner global system that puts national democracies front and center.
From the mercantile monopolies of seventeenth-century empires to the modern-day authority of the WTO, IMF, and World Bank, the nations of the world have struggled to effectively harness globalization's promise. The economic narratives that underpinned these eras—the gold standard, the Bretton Woods regime, the "Washington Consensus"—brought great success and great failure. In this eloquent challenge to the reigning wisdom on globalization, Dani Rodrik offers a new narrative, one that embraces an ineluctable tension: we cannot simultaneously pursue democracy, national self-determination, and economic globalization. When the social arrangements of democracies inevitably clash with the international demands of globalization, national priorities should take precedence. Combining history with insight, humor with good-natured critique, Rodrik's case for a customizable globalization supported by a light frame of international rules shows the way to a balanced prosperity as we confront today's global challenges in trade, finance, and labor markets.

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Where She Went Review

Where She Went
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Why I Read this Book: This book is a must read for anyone who's read If I Stay. In fact, if you've already read If I Stay, chances are you been anxiously awaiting the release for the sequel. There was a pretty big cliffhanger at the end of If I Stay and if you're like me, you need to know what happens next. And you get that closure in Where She Went.
What I Liked: If I Stay was a great emotional and thought-provoking read. And because I was late jumping on the reading bandwagon (I didn't read that book until late last year), lucky for me I didn't have too long to wait for the answers that are found in Where She Went. If I Stay was first published in January of 2009, so some people have been waiting over 2 years for closure. Well wait no more, the time has finally come! Today is release day for Where She Went.
I really liked that this book was told from Adam's POV (1st person narrative). If I Stay was completely Mia's story; her traumatic experience, her story, her flashbacks. In Where She Went, we finally get Adam's side of the story; from back when Mia was in a coma from the accident until now, 3 years later. It was good to see where and how Adam and Mia each ended up 3 years after her tragic accident.
Adam pours his heart and emotions into his lyrics and shares them with the world. Every other chapter leads with a sampling of Adam's lyrics. Angst, torment and bitter emotions drip from his words.
One of my favorite lines (that accurately describes Mia's present journey) is Gran's theory on why Mia was afraid of butterflies when she was younger:"She said it was because one day I was going to have to go through a metamorphosis like a caterpillar transforming into a butterfly and that scared me, so butterflies scared me."What I Didn't Like: Adam was a bit annoying at times with his whining. His character has had to grieve and he's had some growing up to do. He knows that Mia hasn't had an easy road but the void is not easy for him to digest.
Overall Impression: Where She Went is a great companion novel. I got the emotional read I was expecting and the closure I needed. Gayle Forman brings a wide range of emotions to these pages, even the raw and gritty kind, and sometimes they come in waves. Have the tissues ready.

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It's been three years since the devastating accident . . . three years since Mia walked out of Adam's life forever. Now living on opposite coasts, Mia is Juilliard's rising star and Adam is LA tabloid fodder, thanks to his new rock star status and celebrity girlfriend. When Adam gets stuck in New York by himself, chance brings the couple together again, for one last night. As they explore the city that has become Mia's home, Adam and Mia revisit the past and open their hearts to the future - and each other. Told from Adam's point of view in the spare, lyrical prose that defined If I Stay, Where She Went explores the devastation of grief, the promise of new hope, and the flame of rekindled romance.

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Child of Fire: A Twenty Palaces Novel Review

Child of Fire: A Twenty Palaces Novel
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The main thing I would say to potential readers is to judge this book on its own merits.
A number of reviewers compare "Child of Fire" to Jim Butcher's "Dresden Files" novels. Yes, this is Urban Fantasy. Yes, this is Dark Fantasy. Aside from that, I didn't find a lot of similarities. Keep in mind, just because Butcher likes a book, doesn't mean that it's the same kind of book that he writes!
Ray Lilly is in prison. We get some hints as to why, but I expect his back story to be revealed gradually in forthcoming books in the series. He is released from jail by the "Twenty Palace Society". We know even less about them, just that their mission is to track down and destroy anyone who is using magic. (Besides them, of course.) He is assigned to work with Annalise, and we don't know a whole lot about her either, other than that she is almost indestructible and has a really bad attitude about almost everything. Especially Ray. Who she fully expects to die very soon.
They are sent to a small town to investigate the disappearance of children, and the strange fact that once they disappear, no one remembers them. Not even their parents. The rest, as they say, is the story. And it's told very well. The narrative is tight and fast paced. The main characters aren't very likable, as some reviewers have mentioned. And on first appearance, they're not. But we don't know a lot about them, and they have a very unlikable job: killing anyone who has, or has been touched by, "unauthorized" magic. And that means there is frequently a lot of collateral damage.
This is obviously the start of a series. I'm willing to give Ray and Annalise the benefit of the doubt for now, until I know about them and their mysterious employer.
This is not Dresden Files, so don't expect a likable wizard, a sarcastic skull and a cute police woman. And don't expect much humor, unless it's the very, very dark kind. One reviewer compared the book to Lovecraft's Cthulhu Mythos. Sorry, I disagree completely. This book isn't much like the Mythos at all, except that they are both in the dark fantasy and horror genre.
This book is dark, grim, and frequently unpleasant. And withing those parameters, it's an excellent book. If this is the kind of story you like, then I recommend that you give it a try. But approach it without expectations. Don't expect Butcher, Lovecraft, King, Koontz, or anyone else. Just expect Harry Connolly, and let him take you into his own dark world.


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Afraid Review

Afraid
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It may be the worst-kept secret in publishing that Jack Kilborn is the pseudonym of novelist J.A. Konrath. Fans of Konrath's Jack Daniel's serial killer novels know that he's not afraid to depict graphic violence. That knowledge is not going to prepare you for what you'll face in Afraid.
The plot is high concept, and simple enough to summarize in just a few sentences. Every major government, including our own, is experimenting in "Red-ops." Why turn soldiers into killers, when it's so much easier to turn killers into soldiers? And if you can use cutting-edge technology to enhance them, so much the better. One such Red-ops team of psycho killers accidentally crash lands in bucolic Safe Haven, Wisconsin. It's a terrible, terrible mistake, as the team launches into what they've been trained to do--kill and maim in the most terrifying (and may I add disgusting) way imaginable. Only the elderly town sheriff has begun to suspect that it may not be a mistake after all...
And it was that last bit, in the book's description, that got me. Not a mistake? What do they want? I was hooked. I mean HOOKED. I had important work to do, but once I had started it, I could not stop reading this book until I finished it. I read it in less than a day. The pacing of the novel was relentless, as was the subject matter. I had been told that this was a gory novel. In no way does that prepare you for the level of sickness you will encounter in this novel. I can not emphasize enough that Afraid is not for the faint of heart. If it were a film, I wouldn't have made it through the first five minutes. (Let's all hope they never make a movie.) Kilborn's creative, I'll give him that. I don't even know how a healthy mind goes to the places his went.
Ultimately, I give the novel four stars. When all was said and done, I was mildly disappointed in what all the furor was about. Was it enough to justify the events of the novel? And I wasn't sure, but I might have found a small plot hole. Mostly, I just can't give five stars to anything this revolting. On the plus side, there was actually some pretty fantastic storytelling. I'm a total sucker for characters like Stubin and Mathison. In addition to unremitting suspense, Kilborn threw in enough twists, reversals, and out-and-out surprises to keep me constantly on my toes. As much as I'd like to deny it, Afraid was damn entertaining.
If I sound conflicted, it's because I am. I'd like myself better if I liked this book less. This is sick, sick, sick stuff y'all. I'm going to recommend it to my mom--she loves psycho killers! Will I read Kilborn's next one? You betcha.

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13 Gifts Review

13 Gifts
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Wendy Mass seems to know that birthdays are really important to kids, especially their 13th birthday. This is her second book revolving around a deadline of turning 13, and it adds a layer of excitement and suspense.
There is also a mystical aspect to the book. There is a mysterious old woman who loves to give school students tasks to complete...and if they don't she usually threatens dire circumstances. The fantastical element makes the book more fun to read and opens limitless possibilities.
The plot is also a lot of fun. Tara (and her friends) have to find 13 different items, all of which seem random and unconnected. It turns out they lead to more excitement and adventure for the entire town!
While the fantasy and the birthday is fun, what really makes this book are the characters and the relationships. Tara has moved around her entire life, so she is always on the outside of groups and doesn't really know how to make friends and depend on others. Luckily, she is given a chance to make some real friends and learns what it is like. She is smart, kind, and it is so much fun to watch her grow.
All of her new friends are realistic and I think kids will be able to see themselves in someone. There is the sweet and nervous David, getting ready for his Bar Mitzvah, without his father by his side. He was my favorite character because he is so mature for his age and is the key for Tara and her journey.
It was another great book by Wendy Mass. She proves, once again, that she understand the middle grade audience. I am really glad I can give this to my husband's middle school classroom!
Find this one for the 11-14 year old in your life!

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Wendy Mass turns to another magical birthday: 13!
When Tara, a self-proclaimed shrinking violet, steals the school mascot, a goat, in order to make some friends with the popular crowd and gets caught, she gets herself in a heap of trouble. In addition, her parents decide that instead of taking her on their summer trip to Madagascar to study the courtship rituals of the Bamboo Lemur, she must go stay with her aunt, uncle, and bratty cousin Emily St. Claire in Willow Falls. Tara thinks it's a good time to start over; she'll be turning 13 after all, so she might as well make the best of it and perhaps even attempt to break out of her shell (in a non-criminal manner). What Tara doesn't know is that this charmed town has something big in store for her on her 13th birthday. It's not a typical birthday. But then again, nothing is Willow Falls is exactly typical!


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"Why Are All The Black Kids Sitting Together in the Cafeteria?": A Psychologist Explains the Development of Racial Identity Review

Why Are All The Black Kids Sitting Together in the Cafeteria: A Psychologist Explains the Development of Racial Identity
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Dr. Tatum explains beautifully many previously undiscussed aspects of race relations in America. But she also goes beyond what IS to explain WHY it is. Her explaination of how each of us develop our own sense of racial and ethnic 'self' provides great food for thought. Tatum's background, area of expertise, experience and sensitivity combine to make her the perfect author of such a work. She gave me insight into my own long-held feelings of guilt about being a benificiary of white priviledge. Particularly poignant were stories of how she discussed racial issues with her own children as they were growing. Every chapter so intrigued me that I would like to read an entire book dedicated to each of the topics.
In a perfect world, this book would be required reading for all Americans and should be assigned to every high school student in this country. I don't remember the last time I was as moved by a book and I can't wait for her next one! Thank you, thank you, thank you Dr. Tatum! Each of us who is ready to take a look inside ourselves and be completely honest about our own biases needs to read this book! It will make us better Americans, better humans and better friends.

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Enclave Review

Enclave
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I've really got to hand it to Ann Aguirre for writing a fascinating post-apocalyptic YA that I was able to finish without rolling my eyes. To be honest, the amount of Dystopian YA's being published bores me. Every one of these YA's are being courted as the next Hunger Games just like a few years ago with every single YA with vampires, fairies or fallen emo angels was the next Twilight. Ann takes some interesting chances with Enclave, and this is not for the weak of heart. Nothing is sugar coated here. The first half of the book gave me a claustrophobic feeling while reading. Unfortunately the second half faltered because the action wasn't as intense and Ann falls back to an all too familiar trope found in present day YA- the evolution of a love triangle that will most like appear in Outpost, the second book in this series.
Have you ever seen the movie, 12 Monkeys? Enclave (Razorland #1) is a YA version of that film. Enclave takes place sometimes after the second holocaust of the Earth. Humanity has suffered immensely from some unknown catastrophe that has occurred. (Most likely an atomic World War III). We're introduced to this world through the eyes of Girl15 who becomes Deuce on her naming day, her birthday. Deuce lives underground and has never gone up to the above. Upon further reading, I would say Deuce lives in the former subways of New York City. Everyone has a role in the enclave and Deuce's role is to become a Huntress. She will hunt for food in the tunnels. Deuce lives in a dark and dank world both literally and figuratively. Disease is rampant and hygiene is not the best. Some women are solely used to breed children, known as brats, while others keep their fortress strong and safe from the Freaks. Freaks are monsters who feed on the flesh of the living and even themselves. They roam the tunnels looking for their next meal. Hunting for food can be dangerous, but Deuce is strong and fast. She is partnered up with Fade, an older boy who came from the above when he was a small child. Fade is not well liked by the elders because of where he has come from and has the makings of being a troublemaker. The elders make sure the rules are followed with an iron fist. If not followed, they have no qualms in exiling those who don't behave. Exile means certain death.
Deuce and Fade soon figure out that the Freaks are not the mindless creatures that only exist to eat that the elders think them to be. And because of that everyone is in danger. Fade is more than willing to break away from this near like prison community and move on, but Deuce is scared because the enclave is all she has known. But then Deuce something unselfish to save one of her friends, and she is exiled. Fade goes along with her and they go up to the above where a new fascinating world of danger awaits them. Deuce and Fade don't only have to worry about the Freaks, but roaming gangs that will kill without warning and use women as their own playthings. And when Stalker, the leader of one of the gangs, targets Deuce and takes her, Fade will put his life on the line to save Deuce. They'll try to find a place where they can be safe without the fear of starvation and targets of the flesh hungry Freaks.
Enclave has a great atmospheric feel to it. I was right alongside Deuce as she fights for her own survival. The sounds, scents and mind numbing fear are strong. Fade is a great partner for Deuce and they both bounce off of each other very well. These two are the strongest and most well rounded and dimensional characters here. That became one of my main problems while reading. Characters come and go without any real meaning of substance. Because the story is so centralized on Deuce and Fade, everyone else pales in comparison. I couldn't connect or sympathize with anyone else because they came across very flat as the paper they were written on.
When Deuce and Face go up above, that's where things go downhill. In the enclave, everything was wonderfully descriptive. In the above, we're given a quick overview. Deuce and Fade spend most of their time running and finding food and shelter. That is until a gang right out of Mad Max (done YA style) finds them. They meet an abused rape victim named Tegan, who has been at the mercy of the gang run by Stalker, a nasty piece of work. But then at one point either Ann or her editor came to the conclusion, we can't have Deuce happy with just Fade and we'll make Stalker a bit ambiguous in his actions so he can be redeemable and a possible future love interest for Deuce. That is where I grew weary of the story. We're told from Tegan that Stalker is a killer and most likely a possible rapist who may have raped her time and again. But then at one point Tegan changes her story and says Stalker only handed her over to the other men and never touched her. So, Stalker, who again is most likely going to be a love interest for Deuce in the next book, isn't such a bad guy because he didn't actually rape Tegan, but only gave her untouched to his men to share. Sorry, this doesn't make him redeemable in anyway and I would hope Deuce will realize this and stick with Fade. Or perhaps in Outpost, Stalker will become the ultimate villain Deuce or Fade must battle. If so, I'd be very interested in seeing how that goes down and hope Ann doesn't fall back on the classic, let's redeem the near psycho and amoral bad boy so we can see that the world can be a wonderful place again because love from the heroine has set everyone free.
Enclave should appeal to those looking for something different with their Dystopian YA's they've read. If the first half of Enclave continued that way to the very last page, then I would have considered Enclave one of the best books I read this year. Overall, it's a solid read that could have been so much better.
Katiebabs

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WELCOME TO THE APOCALYPSEIn Deuce's world, people earn the right to a name only if theysurvive their first fifteen years. By that point, each unnamed 'brat'has trained into one of three groups-Breeders, Builders, or Hunters,identifiable by the number of scars they bear on their arms. Deuce haswanted to be a Huntress for as long as she can remember.As a Huntress, her purpose is clear--to brave the dangeroustunnels outside the enclave and bring back meat to feed the group whileevading ferocious monsters known as Freaks. She's worked toward thisgoal her whole life, and nothing's going to stop her, not even abeautiful, brooding Hunter named Fade. When the mysterious boy becomesher partner, Deuce's troubles are just beginning.Down below, deviation from the rules is punished swiftly andharshly, and Fade doesn't like following orders. At first she thinkshe's crazy, but as death stalks their sanctuary, and it becomes clearthe elders don't always know best, Deuce wonders if Fade might betelling the truth. Her partner confuses her; she's never known a boylike him before, as prone to touching her gently as using his kniveswith feral grace.As Deuce's perception shifts, so does the balance in the constant battle for survival. The mindless Freaks, once considered a threat only due to their sheer numbers, show signs of cunning and strategy... but the elders refuse to heed any warnings. Despite imminent disaster, theenclave puts their faith in strictures and sacrifice instead. No matterhow she tries, Deuce cannot stem the dark tide that carries her far from the only world she's ever known.

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Mornings on Horseback: The Story of an Extraordinary Family, a Vanished Way of Life and the Unique Child Who Became Theodore Roosevelt Review

Mornings on Horseback: The Story of an Extraordinary Family, a Vanished Way of Life and the Unique Child Who Became Theodore Roosevelt
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I read this book after reading the Pulitzer-Prize winning "The Rise of Theodore Roosevelt", another excellent biography of TR. When I started "Mornings On Horseback", I felt that I was armed with more information about this President than I had going into "Rise"; however, once I completed "Mornings", I realized that I was armed with an entirely different type of knowledge. David McCullough gets us into the Roosevelt house and makes the people in TR's life come alive. "Nurture" is a vital componant of anyone's development and in this book, one sees just how family shapes a great personality such as his. To truly understand TR from a historical perspective one must examine his roots. This book is a joy to read, very informative and well-paced.

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Mornings on Horseback is the brilliant biography of the young Theodore Roosevelt. Hailed as "a masterpiece" (John A. Gable, Newsday), it is the winner of the Los Angeles Times 1981 Book Prize for Biography and the National Book Award for Biography. Written by David McCullough, the author of Truman, this is the story of a remarkable little boy, seriously handicapped by recurrent and almost fatal asthma attacks, and his struggle to manhood: an amazing metamorphosis seen in the context of the very uncommon household in which he was raised. The father is the first Theodore Roosevelt, a figure of unbounded energy, enormously attractive and selfless, a god in the eyes of his small, frail namesake. The mother, Mittie Bulloch Roosevelt, is a Southerner and a celebrated beauty, but also considerably more, which the book makes clear as never before. There are sisters Anna and Corinne, brother Elliott (who becomes the father of Eleanor Roosevelt), and the lovely, tragic Alice Lee, TR's first love. All are brought to life to make "a beautifully told story, filled with fresh detail", wrote The New York Times Book Review. A book to be read on many levels, it is at once an enthralling story, a brilliant social history and a work of important scholarship which does away with several old myths and breaks entirely new ground. It is a book about life intensely lived, about family love and loyalty, about grief and courage, about "blessed" mornings on horseback beneath the wide blue skies of the Badlands.

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Web Wisdom: How To Evaluate and Create Information Quality on the Web, Second Edition Review

Web Wisdom: How To Evaluate and Create Information Quality on the Web, Second Edition
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The authors have done a great job of providing criteria, explanations and examples for web users who wish to evaluate information on the web. We all know there is a ton of stuff out there, much of it bad or biased. Now we know how to tell the wheat from the chaff. Individual web users will want to have the book handy when looking for consumer, health, business, or other kinds of data on the web. Teachers may want to require it as a text or supplemental reading in courses which involve web user. Students who include information found on the web in their research can use this guide to determine the quality, currency and objectivity of web sites. This book fills a gap in the literature. Nicely written. Easy to read. Great gift idea.

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Salt: A World History Review

Salt: A World History
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It's become a party cliche to comment on our need for the results of combining a poisonous gas [chlorine] and a volatile metal [sodium]. Kurlansky passes quickly over such levity to seriously relate the role of sodium chloride in human society. While at first glance his account may seem overdone, a bit of reflection reveals that something so common in our lives is easily overlooked. Salt is essential to our existence. Our need is so strong and enduring that we tend to take its availability for granted. As a global history, this book is an ambitious attempt to re-introduce us to something we think common and uninteresting. It's immensely successful through Kurlansky's multi-faceted approach. He combines economics, politics, culinary practices, tradition and myth in making his presentation. About the only aspect ignored is the detailed biological one explaining why this compound is so necessary to our existence.
Because our need for salt is so fundamental, its history encompasses that of humanity. Salt was basic to many economies, Kurlansky notes. It's acted as the basis of exchange between traders, was the target of empire builders and even paid out to soldiers as a form of "salary" - hence the term. Venice, a coastal city tucked away from the main tracks of Mediterranean trade, bloomed into prominence when it discovered it could garner more profit by trading in salt than by manufacturing it. The Venetian empire and later renaissance was founded on the salt trade.
Empires may be built on salt, but can be felled by misguided policies on its trade and consumption. One element leading to the downfall of the French monarchy was the hated "gabelle", or salt tax, which imposed a heavier burden on farming peasants than it did on the aristocracy. The reputation of tax evasion borne by the French relates to the resentment expressed over the salt tax. A British regulation on salt resulted in similar reaction leading to the breakup up their own Empire. It was a "march to the sea" led by Mahatma Ghandi to collect salt that galvanised resistance to British rule. Over a century after the French Revolution, the British were displaced from India for similar reasons - greed.
While acknowledging the importance of salt in our lives, Kurlansky notes that determining how much is "too little" or "too much" is elusive. Many people today claim to have "salt-free" diets while remaining ignorant of how much salt is contained in our foods, both naturally and through processing. Yet, as Kurlansky records, salt has appeal beyond just the body's needs. He records numerous commentators from ancient Egypt, China and Rome who express their admiration for salt's flavour-adding qualities. Sauces based on various ingredients mixed with salt permeate the book. He notes that the salt dispenser is a modern innovation, supplementing the use of salt in cooking processes.
Salt's decline in conserving food, which changed the amount of salt we consume directly, came about due to increased world trade, displacement of rural populations into cities, and, of course, war. "The first blow" displacing salt as a preservative came from a Parisian cook; a man so obscure that his given name remains disputed. Nicolas [Francois?] Appert worked out how to preserve meat by "canning". Adopted by Napoleon's armies, the technique spread rapidly. The technology of the Industrial Revolution led to effective refrigeration. Kurlansky gives an account of Clarence Birdseye's efforts to found what became a major industry.
Although the topic seems overspecialised, the universal application and long historical view of this book establishes its importance. Kurlansky has successfully met an immense challenge in presenting a wealth of information. That he graces what might have been a dry pedantic exercise with recipes, anecdotes, photographs and maps grants this book wide appeal. He's to be congratulated for his worldly view and comprehensive presentation. [stephen a. haines - Ottawa, Canada]

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Mark Kurlansky, the bestselling author of Cod and The Basque History of the World, here turns his attention to a common household item with a long and intriguing history: salt. The only rock we eat, salt has shaped civilization from the very beginning, and its story is a glittering, often surprising part of the history of humankind. A substance so valuable it served as currency, salt has influenced the establishment of trade routes and cities, provoked and financed wars, secured empires, and inspired revolutions. Populated by colorful characters and filled with an unending series of fascinating details, Kurlansky's kaleidoscopic history is a supremely entertaining, multi-layered masterpiece.

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Writing Movies for Fun and Profit: How We Made a Billion Dollars at the Box Office and You Can, Too Review

Writing Movies for Fun and Profit: How We Made a Billion Dollars at the Box Office and You Can, Too
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This book is full of practical, professional advice on how to swim with the sharks in the very weird world of Hollywood screenwriting. In many ways it's more about the business of writing and selling movies, than it is about how to write. But I've got lots of books on writing; this is the first one that's quite like this.
Not surprisingly, since Lennon and Garant are comedy guys, it's a very funny book. It's easy to read, in a self-mocking conversational tone, and it seems like they're telling real, often embarrassing stories that actually happened to them. There are details that I've never seen in other screenwriting books, like how to tell if you've "made it," based on your studio parking spot; how to take notes from executives and movie stars; what script arbitration is, and how to win at it; and how to get fired with a gracious smile, and then get hired again.
They're also obsessed with In n Out Burger, and dedicate many pages to printing its secret menu and all the locations in Los Angeles. At first I didn't get what that had to do with movies. But whatever. It's part of their guide to living in Los Angeles, so I guess it makes sense?
"Writing Movies..." is unapologetically NOT about "art" or anything at all high-minded, so if that's what you're looking for, the writers are happy to send you elsewhere. I believe they suggest "gazing longingly out the window at the moor." They also say that if you follow their system, you'll soon think of "Oscar Season" as "Ski Season," because the kind of movies they're talking about will never win any Academy Awards anyway. Probably not a book for Documentarians, or Art House types. But if you like your popcorn movies, and if you're looking for tons of practical advice for going into the business of making them, it seems like a genuinely great book.
Also, I can't wait to try to sell some the "free movie ideas" in the back of the book. Somebody's got to do it...

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Finally, a guide to screenwriting by two guys who have actually done it (instead of some schmuck who just gives lectures about screenwriting at the airport Marriott). Robert Ben Garant and Thomas Lennon's movies have made over a billion dollars at the box office—and now they show you how to do it yourself! This book is full of secret insider information about how to conquer the Hollywood studio system: how to write, pitch, structure, and get drunk with the best of them. Well . . . maybe not the best of them, but certainly the most successful of them. (If you're aiming to win an Oscar, this is not the book for you!) But if you can type a little, and can read and speak English—then you too can start turning your words into $TACK$ OF MONEY! This is the only screenwriting book you will ever need because all the other ones pretty much suck. In these pages, Garant and Lennon provide the kind of priceless tips you won't find anywhere else, including: • THE ART OF PITCHING • GETTING YOUR FOOT IN THE DOOR • TAKING NOTES FROM MOVIE STARS • HOW TO GET FIRED AND REHIRED • HOW TO GET CREDIT AND ROYALTIES! AND MOST IMPORTANT: • WHAT TO BUY WITH THE HUGE PILES OF MONEY YOU'RE GOING TO MAKE! Writing Movies for Fun and Profit will take you through the highs and lows of life as a professional screenwriter. From the highs of hugging Gisele Bundchen, and getting kung fu punched by Jackie Chan, to the soul-crushing lows of Herbie: Fully Loaded. READ THIS BOOK—and you'll have everything you need to make your first billion the old-fashioned way—by "selling out" in show business! A portion of the authors' proceeds from this book are being contributed to the USO of Metropolitan Washington, a private, nonprofit organization dedicated to serving active duty military members and their families in greater Washington, D.C., region.

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Bitter is the New Black : Confessions of a Condescending, Egomaniacal, Self-Centered Smartass,Or, Why You Should Never Carry A Prada Bag to the Unemployment Office Review

Bitter is the New Black : Confessions of a Condescending, Egomaniacal, Self-Centered Smartass,Or, Why You Should Never Carry A Prada Bag to the Unemployment Office
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My best friend, Sonja, (bless her generous heart) gave me this book after she read it and highly recommended it. I have to say it was even funnier than she said it was.
Jen (NOT JENNY) is one of the most loveable, egocentric, witty characters I have ever read about. The fact that it's a memoir is even better! She cusses a blue streak and comes up with awesome one-liners. When she called herself, "Carbohydate Barbie" I cracked up and could totally relate. Jen loses her high paying corporate job and must (gasp) even sell her Kate Spade shoes on Ebay before all is said and done. Her man, Fletch, is a baby doll and true blue friend. The account of their wedding in Las Vegas (where, unfortunately a porn convention was being held at the same time) was my favorite part.
If you're tired of the same old chick lit [...], get this refreshing book. Jen is an inspiring, creative survivor. I look forward to more books from her.

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Jen Lancaster was living the sweet life-until real life kicked her to the curb. She had the perfect man, the perfect job-hell, she had the perfect life-and there was no reason to think it wouldn't last. Or maybe there was, but Jen Lancaster was too busy being manicured, pedicured, highlighted, and generally adored to notice. This is the smart-mouthed, soul-searching story of a woman trying to figure out what happens next when she's gone from six figures to unemployment checks and she stops to reconsider some of the less-than-rosy attitudes and values she thought she'd never have to answer for when times were good. Filled with caustic wit and unusual insight, it's a rollicking read as speedy and unpredictable as the trajectory of a burst balloon.

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Prince of Thorns (The Broken Empire) Review

Prince of Thorns (The Broken Empire)
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All I can say about this book is "wow". Actually, that's a lie; I have a lot more to say. These kind of grim, ultra-harsh fantasies with anti-hero leads are really hard to write well. Getting the right mix of believability and twisted viciousness in the protagonist, while not making the reader totally hate him, is tough. Before reading this, KJ Parker (Fencer trilogy, Scavenger trilogy) was the undisputed king in this area; now Lawrence (the author) joins him as one of the great masters of dark fantasy.
The plot is solid: in a Jack Vance "Dying Earth"-ish future, scores of petty kings and nobles compete to reclaim an empire, while in the shadows magicians and necromancers manipulate and control events for their own agendas. The protagonist, Prince Jorg, has been on the road with the roughest band of killers for four years, forging himself into a weapon after his mother and brother were killed in front of him. Having taken control of this brotherhood of brigands, he decides to return home and attempt to take his birthright, sparking further trials and conquests.
The writing style was very good, the pacing was great, and flashbacks filled in the backstory in nicely digestible pieces. As a note, I'm normally not such a fan of flashbacks, but Lawrence managed to keep them germane, where each one helped further the main storyline, rather than distracting from it. Lawrence, like Parker, really excels in his character portrayal of Jorg, and captures his semi-psychotic nature. I liked the combat writing too; typically fast, vicious, and clever, it avoided pitfalls of unbelievable actions or lengthy, technically complicated duels, while still included more than enough blood and bodies.
Overall a great effort, and possibly the best dark fantasy I've read since the Fencer trilogy. Recommended to anyone that likes a dark fantasy, and particularly to those that like KJ Parker (and vice versa).

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A stunning fantasy debut from a major new talent! When he was nine, he watched his mother and brother killed before him. By the time he was thirteen, he was the leader of a band of bloodthirsty thugs. By fifteen, he intends to be king... It's time for Prince Honorous Jorg Ancrath to return to the castle he turned his back on, to take what's rightfully his. Since the day he was hung on the thorns of a briar patch and forced to watch Count Renar's men slaughter his mother and young brother, Jorg has been driven to vent his rage. Life and death are no more than a game to him-and he has nothing left to lose. But treachery awaits him in his father's castle. Treachery and dark magic. No matter how fierce, can the will of one young man conquer enemies with power beyond his imagining?

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All Things Under The Sun: How Modern Ideas Are Really Ancient Review

All Things Under The Sun: How Modern Ideas Are Really Ancient
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This book is published at just the right time; when we are pondering so many issues. It's a one-of-a-kind book brim full of fresh perspectives on everyday life, and it surprises us with how much of what we do today, and the challenges we face, have their origins in the Ancient World.
It's a fun read that's educational too.

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Whether it is the financial crisis, Middle East, travel delays or death and taxes, the issues that make the headlines today are also the things people worried about 2,000 and more years ago. Learning how the people of the past dealt with them can prepare us to face the issues affecting us today."The past is a virtual laboratory in which we can study how cause and effect plays out in different circumstances", says author Lindsay Powell. Combining a researcher's skill at finding unexpected connections in everyday events and a historian's knowledge of source material, in clear eyed and often witty look at modern times through the longer perspective of ancient history and reveals that, as the old adage goes, 'all things under the Sun, there's nothing new'. "Human societies have faced many of the same problems before," says Lindsay, "and if we're smart, we'll learn from the past and pick the solutions that worked - and avoid those that didn't."

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Before I Fall Review

Before I Fall
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Friday, February 12th should be just another average day for popular, beautiful Samantha Kingston. But it's far from it--her ride home after a late-night party ends in a car accident, only when Sam wakes up, it's Friday, February 12th again. Forced to re-live the last day of her life seven times, Sam struggles to understand the meaning behind these experiences and the significance in her own life and actions. Because only when she can get her last day exactly right will she ever be able to take the next step.

With keen insights and startling candidness, Lauren Oliver's debut novel is a frank, if not at times brutal look at high school social circles and the careless cruelties and bullying that occurs on a daily basis. Sam is one of the mean girls, and she shrugs off her biting words and actions as something that just happens, collateral damage of living through high school. But through every complex and carefully plotted event, Oliver peels back the layers of Sam's life and teaches us all that every little deed has a consequence, and no act goes unnoticed. Though Sam is by no means a likable character at the beginning of the novel, as her character is revealed and she learns a thing or two about the things she has done in her life and the person she has become, she morphs into a true, selfless, and caring heroine, despite her many flaws. The story line is addicting and suspenseful. and as each "day" passes and Sam begins to get things right, the question that has been looming in the back of your mind since the end of the first chapter--What will happen to Sam?--becomes more and more urgent. Oliver is skillful at wielding suspense and heartbreak, making you think hard about the value of your own life and actions.

Before I Fall is a haunting and beautiful book. It will float around at the back of your mind long after you've read it.

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These Things Hidden Review

These Things Hidden
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These Things Hidden is all about secrets. As the story progresses, the past is revealed piece by piece. The story falls into place easily while offering shocking things, long hidden, yet never expected.
The book is written in alternating viewpoints between four different women all linked in some way to a little boy named Joshua. Each woman wants to ensure Joshua is safe and taken care if, even if they have different ideas and motives driving them.
The book begins with Allison being released from prison. She committed an unforgivable crime, the nature of which we don't learn until later in the book. Every bit of Allison's past is revealed at the perfect moment. Her story is traumatically heart-wrenching and you can't help but feel for her while at the same time hating her actions.
The story is scarily realistic for the world we live in today. Bad choices ruin lives. Good choices can just as easily take their toll. Love for family and the secrets we keep can lead down a road we aren't prepared to travel. These Things Hidden is a moving, beautifully written, absolutely compelling novel you won't want to miss.

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Day by Day Armageddon: Beyond Exile (Book 2) Review

Day by Day Armageddon: Beyond Exile (Book 2)
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Day by Day Armageddon was one of the first books I read when I became interested in zombie literature, to go hand in hand with my fascination with zombie movies, almost exactly four years ago. As is the case with many people who enjoyed its personal approach to the apocalypse as told by an active officer in the military, I have waited all this time for the long hoped for sequel. Since J.L. Bourne is himself an active member of the military, my guess is that he was only able to write bits and pieces of this update of the saga between active tours of duty. While it may have been frustration for us fans of the first book to have waited this long, I have to say that the wait was well worth it.
An issue that some people had with the first book was perhaps the intentional diary approach to the book, with typos left in and even the text a bit rougher than you would get from a traditional novel. That is no longer an issue, as the format of this book is more traditional, with no errors in the text, intentional or not. I myself had no issues with that previously, but with it gone, it is one less point of criticism that someone may have with this type of storytelling. We once again get a diary of a military officer facing down the zombie apocalypse and this one picks up where the last journal ended, under ground, in the nuclear missile silo the author has dubbed Hotel 23, shortly after an attack by hostile survivors that failed to penetrate its defenses.
This is once again a personal journey of one man, with other people entering and exiting the story at different intervals. The characters in the first novel that are with the main character in Hotel 23 remain, but do not play a pivotal role here. The story has more dramatic swings to it than the previous tale, where it was mainly one man gathering who he could with him to find any place they could to survive. In this story, the military is reintroduced and play a huge role in the goings on of this tale. This allows the story to progress beyond what could have amounted to a group of people just trying to hide out underground for the duration of the apocalypse. Instead, the main character is required to make tough decisions and take on new responsibilities that will lead him away from H23 for the bulk of this tale and once again make this a intriguing saga of one man's path, out in the open, during the zombie apocalypse.
My favorite character, and one which I am gathering much more will be revealed about in a future journal, is Saien, who our main character meets during his desperate travels and appears to be equally as capable (if not more so) than the main character at surviving in zed infested territory. His background is perhaps not completely shrouded in mystery, but it is clear there is more to the man than what the diary indicates. Suffice it to say, he is an interesting addition to the characters in the book, and the only one that shared a great deal of pages with the main character.
While there is a bit of romance afoot for our hero, it is certainly not a significant part of this journal. Personal interactions like that are kept to a minimum, with some character commentary that reveals bits and pieces, but the action is what the author targets, as is natural in a journal format such as this. While there is a great deal of military terminology, the author goes to significant lengths to make the layman, like me, feel comfortable with the equipment and hardware being used in the story. This is not a story about an every day guy beating the odds and surviving, but about someone who has gone through survival training, has a great familiarity with weaponry, hand to hand combat, and battle tactics most of us are not privy to, which makes this book fairly unique among most zombie stories written.
I personally enjoyed the gritty, personal perspective that this book and the previous novel have. A journal format does have its weaknesses: minimal dialogue, limited perspective, and by necessity, we know that the person who is penning the journal is okay because they continue to write about their exploits day after day. But done well, it is a compelling format, and it is hard to say that anyone out there does it any better than J.L. Bourne.

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The first book ofDay by Day Armageddontook us deep into the mind of a military officer and survivor as he made a New Year's resolution to start keeping a journal. The man kept his resolution and brought to us the fall of humanity, day by day. We see the man transition from the life that you and I live to the prospect of fighting for his very survival against the overwhelming hordes of the dead. We see him bleed, we see him make mistakes, we witness him evolve. The highly anticipated sequel to the bestselling underground cult classic,Day by Day Armageddonbegins where the first novel left off.BEGIN INTERCEPT

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