The Whites of Their Eyes: The Tea Party's Revolution and the Battle over American History (The Public Square) Review

The Whites of Their Eyes: The Tea Party's Revolution and the Battle over American History (The Public Square)
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The ad hominem attacks on Lepore and this book are as absurd as they are predictable. This is not intended to be a comprehensive book on American history or the revolutionary period. It sets out simply to record the ad nauseam remarks that have been made articulating the motivation of the so-called Tea Party, though Lepore in no way characterizes it as monolithic, and to cast it against what we know of the period being invoked to demonstrate how even a cursory knowledge of the people and events of that time necessarily problematizes the narrative they present, and thus raises doubts about its tidy simplicity. This does not really take much, for any expressed desire to "return to the intent of the founders" necessarily runs afoul of modern sensibilities on race, gender and class equality, given that the government they set up disenfranchised blacks, women and often those who did not own property. And in also analyzing Rifkin's leftist TEA (Tax Equity for All) Party of the early 1970s, Lepore makes clear that this distortion of history to serve a political narrative is nothing new nor is it the sole province of the Right. Thus her criticism over the (mis)use of history is aimed at both the Left and the Right, and also at the complacent scholars who have let it happen, notwithstanding the name-calling in negative reviews.
There is opinion in the work, to be sure, but there is also argument and evidence, two things that seem lacking in every ideological critique I have seen so far of this book (those that stop simply at "this is not conservative, ergo it's liberal, ergo don't read it"). As Lepore repeats several times over, this is what history is: a combative, contentious, argument (like all academic disciplines) over how best to read the evidence, not a simplistic narrative reflecting (conveniently) the ideological purposes of its espousers, and couched in little more complexity than is found in an elementary-school play. Even less so, as her heart-tugging description of school children learning about the Revolution at the close of the book (which begs comparison to many of her Tea Party interviews even if she does not expressly offer it as such) so neatly illustrates.
History (like all other scholarly pursuits) is complex and messy, and requires critical research to uncover a past that is remote from us. This is not some new, radical, theorem; it is the bedrock of all academic pursuits. That does indeed frustrate ideological, political narratives, but then, that's what stubborn facts usually do.

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Americans have always put the past to political ends. The Union laid claim to the Revolution--so did the Confederacy. Civil rights leaders said they were the true sons of liberty--so did Southern segregationists. This book tells the story of the centuries-long struggle over the meaning of the nation's founding, including the battle waged by the Tea Party, Glenn Beck, Sarah Palin, and evangelical Christians to "take back America."

Jill Lepore, Harvard historian and New Yorker staff writer, offers a wry and bemused look at American history according to the far right, from the "rant heard round the world," which launched the Tea Party, to the Texas School Board's adoption of a social-studies curriculum that teaches that the United States was established as a Christian nation. Along the way, she provides rare insight into the eighteenth-century struggle for independence--the real one, that is. Lepore traces the roots of the far right's reactionary history to the bicentennial in the 1970s, when no one could agree on what story a divided nation should tell about its unruly beginnings. Behind the Tea Party's Revolution, she argues, lies a nostalgic and even heartbreaking yearning for an imagined past--a time less troubled by ambiguity, strife, and uncertainty--a yearning for an America that never was.

The Whites of Their Eyes reveals that the far right has embraced a narrative about America's founding that is not only a fable but is also, finally, a variety of fundamentalism--anti-intellectual, antihistorical, and dangerously antipluralist.


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