A Woman of Independent Means Review

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(More customer reviews)I just finished this book, of which I could not put down for a moment. It is an excellent read! I cried several times throughout the book. I was amazed by this woman, Bess. She was the obvious life-force behind her marriage and family. She always asked questions and made comments about life that were ahead of its time...classic...timeless! She was such a progressive thinker for her time.
The letters spanned from the beginning of the 20th century to the 1940s. Time and time again she surprised me with her observations and decisions: We should just do, instead of waiting for something to happen, since the future is unknown. She commented about philosophical concepts that many of us ponder today. Her thoughts on children-rearing were so refreshing too; that we shouldn?t lose ourselves in our children; that raising children doesn't necessarily mean one has to make it her sole occupation.
Her perception of life was so positive, even in the face of so many unbelievable tragedies. She treated death like an enemy, which forced her to live her life to the fullest. A very interesting, positive, way to look at things, especially in an age where a lot of us have become complacent about death. Her question about why society expects us to spend our lifetime of experiences with one person, is one that I'm sure many of us ask ourselves today! She sees the complexities of people and of life in general, which makes her so understanding, and so tolerant. Even her subtle way of introducing social change is brilliant, leaving a lasting impression. It was inspiring to read those letters, and reminded me of how important writing is...so much more thought goes into words when one writes them down. The written word can often be so much more powerful than words which are spoken.
It occurred to me that this book was written in 1978, which may explain why there's so much progressive thought here. However, history shows us that many women felt the way Bess felt. It was so thrilling for me to read these letters, imagining the setting of America in the 20s, 30s and 40s.
Most importantly though, I believed in this character. I felt for her deeply and her letters really moved me. Her life was astonishing...a wonderful read. I would recommend this book to every mother, daughter, grandmother...and every father, son and grandfather for that matter!

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A bestselling sensation when it was first published by Viking in 1978, A Woman of Independent Means has delighted millions of readers and was the inspiration for the television miniseries starring Sally Field.At the turn of the century, a time when women had few choices, Bess Steed Garner inherits a legacy--not only of wealth but of determination and desire, making her truly a woman of independent means. From the early 1900s through the 1960s, we accompany Bess as she endures life's trials and triumphs with unfailing courage and indomitable spirit: the sacrifices love sometimes requires of the heart, the flaws and rewards of marriage, the often-tested bond between mother and child, and the will to defy a society that demands conformity. Now, with this beautiful trade paperback edition, Penguin will introduce a new generation of readers to this richly woven story. . .and to Bess Steed Garner, a woman for all ages.

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The Demon's Sermon on the Martial Arts Review

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(More customer reviews)Books on Bushido and swordsmanship are a vast part of my collection, things ranging from the common Sun Tzu, Musashi's 5 Rings, to the lesser known Shogun No Rin, Takeda and the Hagakure and other books are frequent reads for me. This book is interesating in that it deviats from the practical aphorisms and "text book" nature of the others and adopts a 2 part structure. The first section is a collection of stories based on animals and insects that explain the workings of Ch'i flow and the essence of the "void mind" and similar concepts. it does this ina way similar to the Zen Flesh Sen Bones koan/story method, though these have a warmer feel to them. The second part of the book is the actual sermon as overgeard by a traveling man who happend upon some demons on a mountain. Now Demon in the Japanese context does not have the same menaing as it does in the west. So this isnt some horned pitchfork carrying guy talking in the woods. Instead it a gathering of Demons holding a question and answer session with a masterful demon on he subject of the nature of mind in combat as tied to sword play. The meat of the discussions is similar to those of most books but it focuses alot on Ch'i energy and how it is used/abused/neglected, something that most other books leave out entirely. I have little knowlage of Ch'i myself in this context, but found it a good opener for the subject and it did whet the appitite for more. Though there are better books on Bushido out there for the moral practitioner this one leands intself well to a collection as it delves into a different spirituality than most as the others spend alot of time on strict Zen principles. Of course this is xrooted in Zen and Buddhism as well, but it contains a strong influence from the Taoist schools as well, a healthy dosage to say the least as outlined in the first few pages. A good read.

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The Demon said to the swordsman, "Fundamentally, man's mind is not without good. It is simply that from the moment he has life, he is always being brought up with perversity. Thus, having no idea that he has gotten used to being soaked in it, he harms his self-nature and falls into evil. Human desire is the root of this perversity."Woven deeply into the martial traditions and folklore of Japan, the fearsome Tengu dwell in the country's mountain forest. Mythical half-man, half-bird creatures with long noses, Tengu have always inspired dread and awe, inhabiting a liminal world between the human and the demonic, and guarding the most hidden secrets of swordsmanship. In The Demon's Sermon on the Martial Arts, a translation of the 18th-century samurai classic by Issai Chozanshi, an anonymous swordsman journeys to the heart of Mt. Kurama, the traditional domain of these formidable beings. There he encounters a host of demon; through a series of discussions and often playful discourse, they reveal to him the very deepest principles of the martial arts, and show how the secrets of sword fighting impart the truths of life itself.The Demon's Sermon opens with The discourses, a collection of whimsical fables concerned with the theme of transformation-for Chozanshi a core phenomenon to the martial artist. Though ostensibly light and fanciful, these stories offer the attentive reader ideas that subvert perceived notions of conflict and the individual's relationship to the outside world. In the main body of work, The Sermon, Chozanshi demonstrates how transformation is fostered and nurtured through ch'i - the vital and fundamental energy that flows through all things, animate and inanimate, and the very bedrock of Chozanshi's themes and the martial arts themselves. This he does using the voice of the Tengu, and the reader is invited to eavesdrop with the swordsman on the demon's revelations of the deepest truths concerning ch'i, the principles of yin and yang, and how these forces shape our existence. In The Dispatch, the themes are brought to an elegant conclusion using the parable of an old and toothless cat who, like the demon, has mastered the art of acting by relying on nothing, and in so doing can defeat even the wiliest and most vicious of rats despite his advanced years.This is the first direct translation from the original text into English by William Scott Wilson, the renowned translator of Hagakure and The Book of Five Rings. It captures the tone and essence of this classic while still making it accessible and meaningful to today's reader. Chozanshi's deep understanding of Taoism, Buddhism, Confucianism, and Shinto, as well as his insight into the central role of ch'i in the universe, are all given thoughtful treatment in Wilson's introduction and extensive endnotes. A provocative book for the general reader, The Demon's Sermon will also prove an invaluable addition to the libraries of all those interested in the fundamental principles of the martial arts, and how those principles relate to our existence.

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Thunder At Twilight: Vienna 1913/1914 Review

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(More customer reviews)In the first pages of this book, author Frederic Morton reveals the reason he has such an interest in Austrian history. His grandfather died in World War I and his father came to the United States from Vienna. If you read books such as Rebecca West's Black Lamb and Grey Falcon, you can't help but hate the Habsburg monarchy that ruled for centuries over Austria and much of Eastern Europe. The Austrians shamelessly mistreated their subjects, using divide and conquer strategies to keep their client states in line. The Austrians also looted the distant reaches of their vast holdings for Austrian benefit. Many of the difficulties found in the Balkans today can be traced to the inept government of the Austrian Empire. That's one view. The other can be found in this exquisitely majestic book. This text is not a panegyric to Habsburg rule, however. Rather, it is a tribute to the fabulous city of Vienna during the waning days of empire, when World War I was looming on the horizon of time.
Vienna is presented as an international city that attracted numerous historical figures. According to Morton, within a period of months Vienna was home to Adolf Hitler, Josef Broz (known to history as Marshal Tito), Uncle Joe Stalin, Leon Trotsky and Sigmund Freud. These characters lived out their own private paths to destiny within blocks of each other. Morton really makes these people come alive with his narrative. We see Hitler in a homeless hostel where he has his own personal chair that no one dares to sit in and occasionally launches into oratorical tirades against Jews and foreigners. Tito works at a car factory and likes to scope out chicks on the weekends (which is much easier to do when you don't have a chest full of medals!). Trotsky indulges himself in French literature and lively debate at the cafes, where he has a brief encounter with a dour Stalin. Sigmund Freud engages in an intellectual war with Carl Jung and writes numerous papers in psychology that would come to form much of what the common man knows about that discipline. Stalin arrives to research a pamphlet before returning to Russia and a three-year stretch in Siberia. What all of these stories ultimately prove is that Vienna was truly a hub of Europe and an important city of the time. It's still pretty neat to think about all of these huge figures moving about in the same city at the same time, though. Morton shows us how almost all of these figures were influenced by their time in Vienna. Hitler talks about it in Mein Kampf and Trotsky wrote about it as well. About the only figure that doesn't seem to be changed is Stalin, who stomps and grumbles about in shabby peasant clothes. It was interesting to learn that Stalin beat Lenin at chess seven times in a row, though!
What Morton succeeds in doing with this book is humanizing history. Today we only see Hitler in old newsreel footage screaming his head off at rallies. In Vienna, Hitler often gave money to his fellow boarders who can't afford food or rent. Sigmund Freud, who always looks so stodgy in those old pictures, loved to hunt mushrooms with his children while wearing outlandish local garb. Even the Habsburgs are painted with a brushstroke of decency. Franz Ferdinand, the sullen heir to the throne who was assassinated at Sarajevo in June 1914, comes off much better here than in most history books. Morton paints him as a dove surrounded by hawks. Franz constantly tries to avert war, especially with Serbia. Of particular note is the relationship the archduke had with his wife, Sophie Chotek. Chotek, who Morton constantly refers to as "morganatic," was not of the right blood to marry a Habsburg heir. She rarely got to share in the royal activities, and when she did, courtiers of the archduke's father, Franz Joseph, belittled her endlessly.
The end of the book shows us the dramatic countdown to war, as the archduke and his wife drive to their deaths and into history. The account of the assassination is very interesting and well worth the read. I feel it rivals the Kennedy assassination in terms of sheer incompetence and idiocy. When someone tosses a bomb at the archduke's motorcade, these morons actually continue the procession! Franz Ferdinand's security detail should have been shot for this action alone. Of course, the procession wasn't stopped and the result was war. The whole mess reeks of conspiracy.
This is an excellent book that can really spark an interest in history. Morton uses lots of sources, such as newspapers, to convey the actual feel of the time. A few pictures thrown in helps to place faces with names. Often, Morton tells us what the weather was like on a certain day before he unfolds the events. This gives the text an insight often missing in scholarly accounts. We can almost see things happening. That being said, this really isn't a book I would use for research. It is more of an interpretative text to provide entertainment. If I were teaching a class on this time period, I would assign this book in conjunction with other, more serious books. Very nice, indeed!

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Tempest Rising Review

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(More customer reviews)Tempest Rising was on my highly anticipated list and I was lucky enough to get a hold of an ARC (advance reader copy) before the release date even though I am late in writing my review. One of the reasons why I was excited about reading this book is because of its subject manner. Mermaids! Stories about mermaids are still fresh and new whereas, books on vampires, werewolves, and even angels are starting to get old and redundant. It's getting increasingly harder to find that diamond in the rough.
An interesting thing I found out AFTER I had read Tempest Rising is that this author goes by 2 other pseudonym names--Tracy Wolff and Tessa Adams. Here is the connection--I have read the first book in Tessa Adam's adult "Dragon Heat" series--Dark Embers-- and my rating/review of the book is nn one of my earlier posts. I remember giving Dark Embers a 5 star rating for its unique dragon mythology, sexy alpha hero, and sizzling romance.
That being said, while Tempest Rising had all the pieces to make a great first young adult book for Tracy Deebs about a teenage girl who on her 17th birthday would have to make a crucial decision whether to stay on land or follow in her mother's footsteps and become a mermaid, somehow it falls a little short. While this book is supposed to be a little more serious in tone, I actually enjoyed Tera Lynn Child's Forgive My Fins way better, which sort of has the same premise but more comical.
So starting with what I enjoyed...I liked how the book was split into 5 parts and how the chapters were short. Not that I have anything against long chapters; I just think that shorter chapters tend to make you want to read more. It is definitely a nice tool to keep readers interested.
At first I really liked Tempest. She was sort of like a tomboy--enjoyed surfing, hung around a bunch of guys, had a great boyfriend that any girl would be lucky to have. The whole on again, off again relationship with Mark was believable since the story is centered around teenagers and we all know that their emotions can run hot and cold. I also enjoyed Kai's character--at first he is very mysterious and sounds exotic with his darker skin, long hair, and sexy name. I can see why Tempest would have a sudden attraction to him.
However, it doesn't take long for Tempest to get on my nerves. She treats her boyfriend Mark like crap. At one point I was hoping that the author was going to reveal some major flaw of Mark's; like maybe he hits her, or cheats on her, or finds out that she is part mermaid and sees her as a freak, something to justify her mean behavior towards him. Unfortunately none of those things happen. He truly does care for her, puts up with her mood swings, and buys her a beautiful birthday gift. Despite her coldness towards him, I do commend Tempest for finally acting like an adult towards the end (won't spoil it for you).
I also got tired of Tempest always wanting to "run away". Almost every chapter she is either trying to get away from her boyfriend to avoid having a serious conversation with him or she is running away from her father who wants her to confide in him or she is running away from Kai, etc.
It felt like the author was just skimming over everything. She never really gives us background details other than how Tempest feels betrayed by her mother. Why did the tattoos/symbols form on her skin? What are their significance? How did her parents meet? Why does Tempest have so much more power than even her mother when she is only half mermaid? What's the relationship between selkies and mermaids? Why does Tempest feel such a strong connection to Kai? Why didn't the Queen of the mer people offer to help train Tempest so she can better understand her powers? Why didn't her mother keep her promise and return to her to help her daughter through this crucial transition? And if she couldn't, why didn't she at least send someone to inform her husband? It's not like her husband (Tempest's human father) is in the dark. He knows his wife is a mermaid. I know Tempest's mother sends Kai to keep an eye on her, but I guess I don't buy all this secrecy and wondering why her mother has been absent so long. Yes I know that her mother was busy trying to keep her people safe from the sea witch. But if she could send someone to keep an eye on her daughter then why she couldn't even send a letter to her devoted husband through Kai is beyond me. It seems pretty darn heartless.
The only reason I could think of for the author to only write on the surface is because she has plans to turn this book into a series. I could see that happening since there are things left unresolved as you can tell by my long list of questions. If this is her goal, then she definitely needs to work on her mythology and focus on story development. Hopefully Tempest will be less annoying in the future. While I am in love with the adult romance series that she has written under her pseudonym name Tessa Adams, Tracy Deeps has some work to do in the Young Adult universe.


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Tempest Maguire wants nothing more than to surf the killer waves near her California home; continue her steady relationship with her boyfriend, Mark; and take care of her brothers and surfer dad. But Tempest is half mermaid, and as her seventeenth birthday approaches, she will have to decide whether to remain on land or give herself to the ocean like her mother. The pull of the water becomes as insistent as her attraction to Kai, a gorgeous surfer whose uncanny abilities hint at an otherworldly identity as well. And when Tempest does finally give in to the water's temptation and enters a fantastical underwater world, she finds that a larger destiny awaits her-and that the entire ocean's future hangs in the balance.

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No One Left To Lie To: The Values of the Worst Family Review

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(More customer reviews)When Bill Clinton was President, people attacked him from both ends of the American political spectrum. The Right asserted that his policies were too liberal, citing his stance on issues such as national health-care and partial birth abortion, while the Left claimed the opposite, citing as examples his support of welfare reform and opposition to gay marriage. About Clinton's behavior--his frequent lying, his repeated adultery, his draft-dodging, and so on--the Right shouted in vain for eight years, with no consequences for the President's approval rating. When confronted with these issues, liberals and moderates usually either looked the other way or defended Clinton, fearing that anything short of full support could give credibility and maybe even the executive branch to the Republicans.
Christopher Hitchens, a man of the Left on most issues, was an exception. No One Left to Lie To: The Triangulations of William Jefferson Clinton is his 1999 attack not just on Clinton's policies but also his ethics. Hitchens blasts Clinton for enacting policies that are essentially Republican, such as "welfare reform," which stole from the Republicans a key election issue while stranding the liberals who had no alternative but to stick with the President. Clinton has such a conservative record, Hitchens says, that it's a mystery why so many people on the Right hate him as much as they do (81). The Democrats are used to dissent in their ranks about whether Clinton was liberal enough; after all, a significant number of Democrats in both houses of Congress voted against "welfare reform." But not a single Senate Democrat voted for Clinton's removal, and Hitchens objects strongly to this kind of unconditional Democratic/liberal support for Clinton's behavior. With harsh but witty prose, Hitchens trashes Clinton for his lies and abuses of power throughout his presidency (and earlier). He also attacks the liberals who turned into defenders of Clinton's reprehensible behavior during the Lewinsky affair, such as Arthur Schlesinger (who said "Only a cad tells the truth about his love affairs" (82)), playwright Arthur Miller (who wrote that the impeachment proceedings were literally the moral equivalent of a medieval witch-hunt (50)), and Gore Vidal (who wrote "Boys are meant to squirt as often as possible with as many different partners as possible" (83)). Hitchens also devotes a chapter to that famous intersection of Clinton's public and private life: his bombing of "training camps" in Afghanistan, a pharmaceutical plant in Sudan, and many targets in Iraq at the height of the Lewinsky scandal. Hitchens argues convincingly that contrary to the Clinton administration's claims, the attacks on Sudan and Afghanistan and the timing of the Iraq attack were almost certainly motivated by Clinton's desire to distract people from the Lewinsky matter.
Like Hitchens' later book The Trial of Henry Kissinger, No One Left to Lie to is a short, devastating attack on a prominent political figure, in which Hitchens makes no attempt to conceal his utter contempt for his target. Unlike The Trial of Henry Kissinger, however, which many on the Right simply dismiss, No One Left to Lie To will appeal to readers in several different areas of the political spectrum. Conservative readers will enjoy reading the usually left-wing Hitchens rip into Clinton as viciously as any right-wing author ever has. Some left-liberal readers will enjoy Hitchens' verbal assault on Clinton's relatively conservative political record. The only readers who may be upset are those liberals and moderates who turned into strident defenders of Clinton's lying, womanizing, and even his policies because they wanted to thwart the Republicans. They may have kept Clinton in power until the end of his term, but they paid for this achievement with their credibility, putting the Left into a "moral and intellectual shambles" (21). No One Left to Lie To is a must-read for anyone who thinks that to criticize Clinton's behavior is necessarily to be a vengeful right-wing nut.

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Everybody Was So Young: Gerald and Sara Murphy: A Lost Generation Love Story Review

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(More customer reviews)If anyone could be said to have lived a charmed life, it would be Gerald and Sara Murphy. They were wealthy, artistic and talented, with three beautiful, loving children and a circle of friends who became famous and accomplished in their own right. They gave wonderful parties that are still remembered a half-century later, were generous to those in need, and best of all, Gerald and Sara loved each other deeply, with an affection that grew as they lived their lives to the inevitable, bitter end.

Anyone who has read into the lives of Ernest Hemingway, F. Scott Fitzgerald, Picasso and the other expatirot residents of Paris in the 1920s will recognize Gerald and Sara, perhaps unfavorably as hanger-ons who supplied the money the others lived on. That unfair assessment is turned on its head in Amanda Vaill's dual biography of the couple.
The Murphys were more than a bank account who gave parties; celebrity bottom feeders more interested in status than in accomplishments. They were something of an oddity. Both were from wealthy families, yet both wanted more than the family life they craved. Gerald had an eye for art, music and decorating; it was amazing to learn he was first to boost many artists who later became famous; "Grandchildren," he said as he showed them a copy of "Meet the Beatles." "Pay attention. These young men are going to be very, very important."
From their village in the Antibes, which was a backwater when they discovered it, they befriended people like Hemingway and Fitzgerald, John Dos Passos, Archibald Macleish, Lillian Hellman and Dashiell Hammett as well, while Gerald became famous in his own right for his finely detailed studies of mechanical devices: a watch, a machine, of a boat deck and smokestacks.
But if there's anything experience teaches us, it's that no one really leads a charmed life. It's all filled with day-to-day worries, irritations, tragedies and, with luck, some glory. But Gerald and Sara came close -- the 20s were their time -- and it's a fine thing to finish a biography of someone and find that you like them even more than before.

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A Very Private Gentleman: A Novel Review

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(More customer reviews)If Martin Booth's new novel A VERY PRIVATE GENTLEMAN is a bestseller, expect Italy to become a highly popular tourist destination. His narrator, an international criminal, spends the novel alternately enticing you to join him high in the Italian Apennines and cautiously warning you from trying to find him.
The novel's setting, a small, unnamed, rural Italian village, is exquisite and exquisitely rendered. Booth takes time to describe precisely and poetically the old wine shop run by a maniacal dwarf and an obedient giant, the ancient apothecary whose floorboards have absorbed centuries of spills, and the historic piazzas that inspire nothing but nonchalance in the townspeople who visit them every day.
Clarke, which is not the narrator's real name but an alias, poses as a painter of butterflies, a Nabokovian occupation that allows for such eccentricities as long absences, erratic behavior, and no set schedule. So he often lounges and partakes of local delicacies --- the wine, the home-smoked prosciutto, his two mistresses, all of which he describes in tantalizing detail --- while he practices his true calling. Clarke's real profession is much more sinister than painting insects, although equally artistic. He doesn't reveal it until almost 100 pages in, but hints, "I am the salesman of death ... I do not cause it. I merely arrange for its delivery. I am death's booking-clerk, death's bellhop."
Despite his obsession with privacy and death, Clarke is an endlessly entertaining narrator, and his insights into the international underworld and the human condition are intriguing. "Everyone is a terrorist," he observes. "Everyone carries a gun in his heart. Most do not fire simply because they have no cause to pursue."
Booth's rendering of his narrator's voice is remarkable, both for its consistency and for its intricacy. Not only does Clarke keep his guard up through the novel's course, he also manages to convey a great deal about his antihero without him realizing it. Clarke admits his deception to the reader: "The names are changed, the places changed, the people changed. There are a thousand Piazzas di S. Teresa, ten thousand alleys that have no names ... You will not find me."
But Clarke seems unaware of his own self-deception: while he is astute and witty, he can also occasionally be self-important and even boorish in justifying his very private lifestyle. And he studiously avoids cultivating any lasting human connections while wondering how to make his mark on the world, never realizing that to do one is to ensure the other. But his shortcomings become the book's strengths, for as he contemplates life and death in Italy, his flaws --- and his own ignorance of them --- reveal his surprising depth and complex humanity.
Booth makes A VERY PRIVATE GENTLEMAN more than just a postcard from Italy; the setting has direct thematic relevance to the story. History is not just a recurring motif, but a character in itself, an antagonist who constantly reminds Clarke of his encroaching mortality. What better place to set such a face-off than in the seat of Western history, the land where the Knights Templar roamed, where abandoned castles and churches litter the terrain. Even the view from his window captures eras past: "What I can see, with my pair of compact pocket Yashica binoculars, are five thousand years of history laid out before me as if it were a tapestry upon a cathedral wall, an altar-cloth to the god of time spread over the world."
Ultimately, even the passage of time becomes a delicacy in A VERY PRIVATE GENTLEMAN. With a watchmaker's precision, Booth has written a suspenseful and intricate tale, one that is as inviting as it is cautionary.
--- Reviewed by Stephen M. Deusner

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