Under the Feet of Jesus Review

Under the Feet of Jesus
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The scorching hot midday sun beats down upon the bare necks of migrant Mexican workers, ready to do back-breaking work for meager wages. One of the characters of the story, Perfecto, observes the scene described in wonderful detail: clouds ready to burst like cotton plants, an old decaying barn nearby, and a silence interrupted only by the wisps of wind that ruffle the peach trees. As he observes these images, reality quickly sinks in: "The silence and the barn and the clouds meant many things. It was always a question of work, and work depended on the harvest, the car running, their health, the conditions of the road, how long the money held out, and the weather, which meant they could depend on nothing" (4). Set in the harsh, poverty-stricken world of the migrant Mexican worker, Under the Feet of Jesus, by Helena Maria Viramontes, is a story about a Latino family in California, trying to get by in a society that turns a cold shoulder to their every woe. As the characters endure hardship upon hardship throughout the book, the author's own ideology manifests itself in their slow loss of faith. Religion is no substitute for gritty human spirit in times such as these. By the end of the novel it seems clear that Perfecto's observation holds partly true: they can depend on nothing but themselves.
The novel centers primarily around Estrella, a young girl on the verge of womanhood, and her relationship with Alejo, another migrant worker of the same age. Throughout the story, the characters are confronted time and time again with hardships they must endure, each time further questioning their faith. After Alejo is poisoned by a crop duster and falls ill, the family takes care of him, spending what little money they have for his treatment. Alejo, no stranger to harsh reality in his life, bleakly ponders if this is some sort of punishment from God. As his condition deteriorates and things look grim, Estrella curses God, thinking He "did not care," and that now renouncing Him, she "was alone to fend for herself" (139). At the end of the novel, in a scene that perhaps represents Viramontes' ideology the best, Estrella is perched on a rooftop, "on the verge of faith," yet she does not let herself fall (176). She doesn't trust "blindly" anymore, instead choosing to "trust the soles of her feet, her hands, the shovel of her back, and the pounding bells of her heart" (175). In the end, Estrella has learned that it is her own strength she must trust in, not God's, to carry her through the hardships she faces.
Under the Feet of Jesus by Helena Maria Viramontes, is at its heart, a novel that reveals to the reader through vivid metaphorical detail, the harsh world of the Mexican migrant worker. The book pulls its characters away from grasping blindly at faith in a benevolent God, and brings them to take comfort in the only constant that is rooted in their ever-changing environment: their own spirit to go on. Perhaps reflective of Viramontes' own ideology, this novel provides an excellent view of the loss of religious faith, replaced by gritty human spirit that can overcome any hardship. Inspirational and beautifully written, I highly recommend Under the Feet of Jesus to anyone!

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