A Testament of Hope: The Essential Writings and Speeches of Martin Luther King, Jr. Review

A Testament of Hope: The Essential Writings and Speeches of Martin Luther King, Jr.
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"A Testament of Hope: The Essential Writings and Speeches of Martin Luther King, Jr.," edited by James M. Washington, is an impressive volume. This book brings together essays, speeches, sermons, interviews, and excerpts from King's books. Together, these many documents offer insights into the life and philosophy of a giant of the civil rights movement in the United States.
The book includes the "I Have a Dream" speech, the letter from Birmingham jail, the "Playboy" interview, and more. There are even fascinating transcripts from two television appearances.
This is a thought-provoking collection. I was fascinated by King's strong critique of that part of the white Christian establishment which opposed his movement. It is also intriguing to read that, apart from the Bible, King would choose Plato's "Republic" if he were to be marooned on the proverbial desert island with only one book. Also noteworthy is the emergence of King's multi-faith, global vision of humanity.
This is an important volume for those interested in African-American studies, 20th century U.S. history, or progressive currents in Christian theology. But more than that, "A Testament of Hope" is truly a testament for all people.

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"We've got some difficult days ahead," civil rights activist Martin Luther King, Jr., told a crowd gathered at Memphis's Clayborn Temple on April 3, 1968. "But it really doesn't matter to me now because I've been to the mountaintop. . . . And I've seen the promised land. I may not get there with you. But I want you to know tonight that we as a people will get to the promised land." These prohetic words, uttered the day before his assassination, challenged those he left behind to see that his "promised land" of racial equality became a reality; a reality to which King devoted the last twelve years of his life. These words and other are commemorated here in the only major one-volume collection of this seminal twentieth-century American prophet's writings, speeches, interviews, and autobiographical reflections. A Testament of Hope contains Martin Luther King, Jr.'s essential thoughts on nonviolence, social policy, integration, black nationalism, the ethics of love and hope, and more.

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Eternal Hunger: Mark of the Vampire Review

Eternal Hunger: Mark of the Vampire
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Here is the thing, I am an average, read for pleasure type of girl. Paranormal romance is my favorite genre. I am always looking for new authors to fill my fantasies. So, when I was introduced to Eternal Hunger, I curled up on the couch and gave it a go. I was intrigued with the new world, and new take on vampires that Laura has introduced with EH. I liked the whole plot in full, the villains even have a certain appeal. ( Yes, sometimes I root for the bad guy) I really liked the alpha-male hero Alexander and his strong on the outside, needy on the inside heroine Sara. I know it is a new series, and being that, I always take that into consideration. There are plenty of series that I follow, that the first book is the hardest to get through. The author most always follows up with a better story the next go and so on.. As for this book I read it in one day, and came away ready for the next! So, if you are reader interested in seeing how far this new series will go, pick it up, enjoy the steamy romance and the wise-cracks of a particular brother I am in love with now ( can't wait for his book! ) and get lost in what is sure to become an awesome new world for the paranormal fans!

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Unbillable Hours: A True Story Review

Unbillable Hours: A True Story
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Ian Graham's "Unbillable Hours" weaves the true narrative of a young lawyer stumbling into counsel for the murder conviction appeal of Mario Rocha. Mario -- a young man who by all accounts appeared innocent -- was the on the wrong end of systemic oversight and miscarried justice that led to nearly a decade of imprisonment (see the documentary of his case, Mario's Story). Graham, whose privileged upbringing couldn't be any farther apart from Mario's, is drawn through a series of biographical twists and turns after moving to California to join an esteemed firm. Graham's navigation of the big law firm is the classic storyline of an overworked but well-paid greenhorn slowly getting trapped in a legal job by status and compensation. His life at the firm caves in from the booze-driven recruiting process that has him hopping LA hotspots to the realistic and joyless grind of combing legal minutiae. Once the gloss wears off, fate sets Graham on a crash course with Rocha's case through a chance assignment from a senior partner and a relentless nun whose faith in her instincts about Mario is unshakeable. Of course, the case is a Hail Mary, and the events that take place only stack up the odds even further, leaving life and death matters in the hands of a kid under 30 who isn't even sure he should be a lawyer. This thing reads like a novel.
At first the writing seemed quite ordinary, but the superb structure draws you into the web of legal hurdles and personal frustrations. The first chapter has a hook to it that pulled me into reading the book in one sitting. Graham eventually tightens up his prose into an extended, detailed Vanity Fair-type exposition of the case and how dedication to Mario's cause kept him going. One important thing to me as the reader was that the author never tried to redeem his own frailties through Mario or make any demonstration of guilt for the opportunistic upbringing he had. When visiting Mario in prison or finding himself arm-in-arm in an impromptu prayer circle in a barrio home, Graham simply went with the situation, leaving behind the typical upper class tendency to revel in a sort of authentic ghetto adventure that they can later tell their gringo friends about over cocktails.
For the prospective law student, this is the perfect complement to Scott Turow's seminal law school experience "One L: The Turbulent True Story of a First Year at Harvard Law School." Careful, though, it strips the polish from big firm life and might result in some self-examination. Or worse, it might not. While Graham doesn't have Turow's mastery of detail, his breezy style is still vivid and probably more accessible to the contemporary reader. This is a four-star plus book, but I'm going to give it five as it is a hell of a first book effort.


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The story—part memoir, part hard-hitting expose—of a first-year law associate negotiating the arduous path through a system designed to break those who enter it before it makes them. Landing a job at a prestigious L.A. law firm, complete with a six figure income, signaled the beginning of the good life for Ian Graham. But the harsh reality of life as an associate quickly became evident. The work was grueling and boring, the days were impossibly long, and Graham's main goal was to rack up billable hours. But when he took an unpaid pro bono case to escape the drudgery, Graham found the meaning in his work that he'd been looking for. As he worked to free Mario Rocha, a gifted young Latino who had been wrongly convicted at 16 and sentenced to life without parole, the shocking contrast between the quest for money and power and Mario's desperate struggle for freedom led Graham to look long and hard at his future as a corporate lawyer. Clear-eyed and moving, written with the drama and speed of a John Grisham novel and the personal appeal of Scott Turow's account of his law school years, Unbillable Hours is an arresting personal story with implications for all of us.

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America's Bubble Economy: Profit When It Pops Review

America's Bubble Economy: Profit When It Pops
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You can give this book a pass. There's really nothing to it, so save your money. While one might agree wholeheartedly with its premise and conclusions, the exposition here is not the best. For comparison, take a look at Stephen Leeb's Chapter 5 in his "Oil Factor" of 2004 and you will see a much cleaner more informative discussion of just about everything in the "Bubble" book. Leeb is far more succinct and authoritative and manages to avoid what is becoming the most overused word in the language -- "bubble." And he does it in 11 pages.
The investment advice in this book, once you get past all the padding, is to buy gold and euros. The advice on gold at least comes with a cursory analysis of the supply and demand situation, but the advice on the euro is given without support. There's no discussion whatsoever of the economic realities facing the European Union and how they might impact the dollar/euro exchange rates. I'm not saying there isn't a good reason to run to euros, just that it appears nowhere in this book.
One of the other reviewers was as annoyed as I was about the poor editing in this book. In addition to misspelling Warren Buffett's name numerous times, including in the index, there is a general carelessness that made reading each chapter a hunt for mistakes. I expect more from Wiley.
If this is your first exposure to discussion of the multiple problems facing our economy from housing prices, government debt, consumer debt, and foreign exchange risks, it may serve as a readable introduction. However, don't expect too much depth and be prepared for typos and misspellings. A two star rating is pretty generous.

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The Raising: A Novel (P.S.) Review

The Raising: A Novel (P.S.)
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The author taps into the insular environment of a college campus and the public's fascination with the supernatural in an era when life beyond death offers an alternative explanation to the cold hard truth of an untimely loss. A year after sorority girl Nicole Werner dies in a car accident, her boyfriend, Craig Clements-Rabbit, still bears the blame, a myth quietly growing around the tragedy, stories of the blonde-haired beauty still tethered to the earth, her apparition sometimes caught briefly by on campus. Returning to his Midwestern campus, a still- distraught Craig is conscious only of his profound loss. To counter Craig's obsession, his roommate, Perry Edwards, signs up for a class with Mira Polson, professor of cultural anthropology, to study the rituals of death, cultural explanations for afterlife manifestations and entrenched superstitions that the dead can indeed rise and walk the earth. Meanwhile, the only witness to the incident, Shelly Lockes, cannot fathom why the local newspapers misrepresented the facts of the accident, entirely ignoring her eye-witness account of the tragedy.
In a strange confluence of disparate perspectives, including that of Nicole's sorority sister, Josie Riley, Kasischke fashions a compelling tale where imagination morphs with reason, a murky landscape in which the lost Nicole both haunts and comforts. Of course, logic dictates a reasonable explanation, the author presenting the story characters' memories and interactions, that don't quite fit together smoothly. Set in the college's Godwin Honors Hall, these relationships are by nature claustrophobic, the reports jarring in their inconsistencies, the perfect breeding ground for otherworldly suppositions. Plausibility is left for the reader to decide. In prose that evokes that middle ground between logic and imagination, a youthful demographic is happy to participate in the making of a myth, an acceptance that the impossible may be possible. No matter the final resolution, the ambiance of what-if permeates Mira and Perry's determination, Shelly's frustration and Craig's innocent embrace of true love. Though somewhat long- and eventually obvious- Kasischke pulls through, reminding us of life's impermanence and death's inevitability. Luan Gaines/2011.


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Stay Review

Stay
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How to start. How to start. Perhaps with what made me unable to put this book down when I got it last evening. First paragraph-
" First off, I've never told this story to anyone. Not the entire thing anyway, and not entirely truthfully. I'm only telling it now for one reason, and that's because an untold story has a weight that can submerge you, sure as a sunken ship at the bottom of the ocean. I learned that. This kind of story, those kind of things kept secret- they have the power to keep you hidden forever, and most of all from yourself. The ghosts from that drowned ship, they keep haunting."
That first paragraph resonated with me so much that I had to dive in with my head and for once, open up that little place I allow to feel, my heart. I knew Clara from the minute she met Christian and knew exactly why she did every action she did. I'd once held the power Clara felt of having someone love her so much that they'd do anything to keep her. It's powerful and wonderful and scary to be the one that loves less. But it's all consuming and Clara learns that there is a dark side to the power and Christian. And his jealousies and walking on eggshells and having to lie about her past becomes too much. It's emotionally draining. And dangerous in a way Clara can't even imagine. She and Christian were perfect and then Christian, perfect, beautiful, foreign Christian let his insecurities begin to show and there was no forgetting. And there is accommodating and adjusting for certain things in a relationship and then there is what Clara did for Christian.
But this is not one of those stories where you can say "Oh stupid girl." and want to shake her because Clara has brought us into the story with her. We are Clara for lack of a better way to explain it. She put little asterisks in her story. Example- She lets us know her mother is dead.* Then at the bottom of the page
"*Yes this story has a dead mother. Mine. She had a sudden aneurysm when I was barely four. Died before she could even get to a hospital. Dead mother's have become a story cliche thanks to Disney movies and novel writers. All the dead mothers in books, you'd think it was a common occurrence. Even Dad's books have them. But mine was real. She was no cliche and neither am I." It's Clara's story and she's writing it not Deb Caletti. The author is not between us and Clara. She's removed herself and I kept checking the description of the book to make sure this was fiction and not Deb Caletti's real story.
Because the author removed herself from the story, I felt very close to Clara. I identified with her, understood her trying to spare Christian's feelings, trying time and time to remove the hurt. She was a nice girl. She was nice to people and breaking up with someone, well it makes her feel not nice. And she's sure that Christian's reactions are her fault, for that first giddy feeling of power. The one she can't admit to at first but then tells her Dad, her Dad the writer who seems less like a Dad and more like an adult friend that takes care of Clara. He respects her way more than any parent I've ever seen to be called a parent. Yet he is parental when necessary, he doesn't tell Clara "no" when he doesn't like Christian. But when he sees warning signs, danger, he takes action. But if Clara feels shame and can't forgive herself, her father feels even worse. This stalwart man who plays metaphor games and would rather use clues to guess who's house they are renting than google him, the one that insists on protecting his daughter has a big secret. One that changes everything for Clara. She keeps us with her throughout the novel, with her asterisks as if she's sitting beside us letting us know the secret thoughts she had while putting her story down. While unburdening her of the ghosts. More than one passage made me stop and I had to read it over and over sinking into what it really was saying, not just the words on the top layer, but the deeper meaning.
I felt so many emotions reading this novel and when I finished it, I wanted to pick it up and start again. And I will. I'll learn something new that I didn't catch the first time as I ate it up. It isn't a light read or easy. It's philosophical and deep with emotion and thought. It is definitely character driven. Clara brings us along through every emotion dragging us through the dirty self doubt and self incrimination to the final triumph of anger. Does she grow in this book? We're sitting here while she tells her story aren't we? Dad is a big character in this novel and I like the relationship he and Clara have. Does Dad grow? From a famous author to a human being, at least for Clara. There is of course Christian. And if you don't know a Christian in male or female form, then you're lucky. I have a magnet for these type of people. There are other secondary characters that bring some much needed relief to the tension in Clara's life.
If I had a rating system, stars, hearts, rabbits, hats, gold coins any of the creative things I've seen other reviewers use I'd throw all the things I had into a pot and make the biggest star, heart, rabbit, hat, gold coin and make it dance, sing, shoot fire works whatever. This is the best realistic fiction I have ever read. This is the best YA I have read. This is the best book I have read. Never have I felt more a part of a story, never have I been so involved, so unsure of the outcome, so tentative as Clara moved ahead with her/my life. I wouldn't have Deb Caletti change even one word in this novel. It isn't entertaining. It's more than realistic. It's real.


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Seventeen-year-old Clara Oates's boyfriend Adam attempts suicide when she tries to leave him, prompting her father, crime writer Bobby Oates, to sweep Clara off to a summer beach house on Deception Pass. He insists that Clara needs time away from the clinging, needy Adam, and space to shake off the sense of responsibility, guilt, and fear she feels about him. But guilt and responsibility prove hard to escape even in Deception Pass, as Clara falls into new love, Bobby's own shameful secret emerges, and Adam is never as far away as anyone hopes. A story about obsessive "love," Stay is a poignant examination of what we owe others, and, more importantly, the things we should never owe anyone.

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The Anti-Romantic Child: A Story of Unexpected Joy Review

The Anti-Romantic Child: A Story of Unexpected Joy
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Raised by an imaginative father and launched on motherhood with the poetry of Wordsworth in her heart, Priscilla Gilman longed to create for her own children the romantic vision of childhood she felt herself to have inhabited. But, as the title of her book indicates, her dream was not to be--at least, not in the terms she had perceived it. In the last decades of the twentieth century, research on learning disorders expanded almost exponentially, and with it came teaching methods and even special schools that could address these education needs. Yet, even so, for quite some time, the Gilmans could not find a school that would accept their son, Benjamin.
I read this book in the hope of understanding brilliant students with social phobias, and though the *The Anti-Romantic Child* turned out to be about a child with a rather different set of challenges, I came away from it awed by the power of unconditional and unrelenting love. A former English professor from Vassar, Gilman writes beautifully, allowing the reader to enter her own maelstrom of emotion at each stage of Benj's development--from the heights of reveling in the joy of an exceptionally precocious child to the depths of hearing that he is, as far as intelligence goes, not much more than a parrot, and then on to the lonely machete work in the jungle of the unknown in an effort to prove the pundits wrong. Though the emotions go up and down, however, the determined struggle to make her son capable of receiving and expressing love goes on apace.
As Gilman moves chronologically through Benj's life, she cites lines of verse from Wordsworth, whom she eventually realizes knew both the light and the dark of childhood. Without the Wordsworthean cushion, it is hard to see how Ms. Gilman could have dealt with everything that life hurled at her and her boy. And certainly Wordsworth provided a deep, deep well. Gilman shows anew that, though Benj responded to the world differently, he, too, came "trailing clouds of glory" at his birth.
I highly recommend this book to parents, families, and teachers of special children. They will, I believe, find rest in the knowledge that love can indeed work miracles.


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