Showing posts with label noir. Show all posts
Showing posts with label noir. Show all posts

Coward (Criminal, Vol. 1) Review

Coward (Criminal, Vol. 1)
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Ed Brubaker's writing has always had a kind of laconic grit to it. His best work, be it his autobio stuff or the more fantastical run he had on CATWOMAN, has always been down to earth and set in a modern, semi-urban environment. CRIMINAL is his return back to the crime genre, this time on the harder side of it, dealing with bad guys and bad consequences. Sean Phillips is an able collaborator, meeting Ed's no-nonsense script with a similarly straight-up artistic approach. Both men deal in only the most essential details, and that keeps this first volume in the series gripping from start to finish.

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From Harvey Award-Winning Best Writer Ed Brubaker, and Scream Award-Winning Best Artist Sean Phillips comes the first collection of Criminal, one of the best reviewed comics of 2006. Coward is the story of Leo, a professional pickpocket who is also a legendary heist-planner and thief. But there's a catch with Leo, he won't work any job that he doesn't call all the shots on, he won't allow guns, and the minute things turn south, he's looking for any exit that won't land him in prison. But when he's lured into a risky heist, all his rules go out the window, and he ends up on the run from the cops and the bad men who double-crossed him. Now Leo must come face-to-face with the violence he's kept bottled up inside for 20 years, and nothing will ever be the same for him again. Collects Criminal #1-5.

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Richard Stark's Parker, Vol. 1: The Hunter Review

Richard Stark's Parker, Vol. 1: The Hunter
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"Parker: The Hunter"
Written by Richard Stark
Adapted by Darwyn Cooke
(IDW, 2009)
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Wow. I'm already a fan of comicbook artist Darwyn Cooke (wish he had more books out!) but I gotta say, this adaptation of a gritty noir novel by author Richard Stark really floored me. The first chapter of the book is told almost entirely without words, transforming the taut, cynical prose into pure imagery, as we are introduced to the book's steely, taciturn, utterly immoral antihero -- Parker -- who counterfeits and backstabs his way through the recesses of New York City, circa 1962, hellbent on revenge. It's a real tour-de-force of visual storytelling, but even when the text kicks in, the book never feels cluttered. From start to finish, this graphic novel is a real page-turner... Hopefully there'll be a follow-up soon! (Joe Sixpack, ReadThatAgain book reviews)

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Angel of Vengeance: The Novel that Inspired the TV Show Moonlight Review

Angel of Vengeance: The Novel  that Inspired the TV Show Moonlight
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I'm a fan of the Moonlight series and I was so excited to read this book. The noir feel of the show is amplified in this awesome book. The storytelling is tremendous. Mick Angel is the new Mick St. John. Thanks Trevor!!
I definitely recommend this book to everyone. It's a great read from start to finish. I can't wait to see what Trevor O. Munson comes up with next.

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Leviathan Wakes (The Expanse) Review

Leviathan Wakes (The Expanse)
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The Canterbury, an ice-hauling ship, receives a distress signal from the Scopuli, a deserted ship with a hole in the hull and a transmitter that sends a signal as soon as the ship is boarded. Soon the Canterbury is attacked and destroyed by a frigate that appears to be part of the Martian Navy. Only the shuttle crew that boarded the Scopuli survives, including XO Jim Holden. When Holden broadcasts the details of the attack, the news nearly ignites a war between residents of the Belt (represented by the Outer Planets Alliance) and those of Mars. Holden's story, told in the odd-numbered chapters, unfolds from there.
The story told in the even-numbered chapters belongs to Miller, a security officer (essentially a corporate cop) on Ceres, a Belt gateway. Miller is assigned to find Julie Mao, the missing daughter of a wealthy corporate executive, and return her to her parents. Miller eventually hears that Julie shipped out on the Scopuli and he goes looking for her. A little less than halfway into the novel, the two storylines converge as Miller and Holden meet in a moment of unexpected violence. Miller's investigation leads him to a conspiracy that relates to the prologue in which a character melts into goo. More than that I cannot say without revealing too much of the lengthy but carefully plotted story.
This is throwback science fiction, an old school space opera married to a futuristic detective story. While much of the background in Leviathan Wakes is familiar (the privatization of law enforcement, the conflict between the old "inner planets" and the rebellious "outer planets" that resent being taxed and controlled by Earth), James Corey (the combined pen name of Daniel Abraham and Ty Franck) does an impressive job of making it seem fresh. I particularly liked the Byzantine nature of interstellar politics as envisioned by Corey. I also appreciated the characters' philosophical debate about the merits of making potentially unreliable information openly available, even if it might lead to war (which Holden advocates) as opposed to concealing facts to prevent the aggression and rioting that might be sparked by faulty conclusions (as Miller advises). In the context of the story, neither position is clearly correct; that's the kind of nuanced writing that is too rare in science fiction.
Equally impressive is Corey's ability to tell an exciting story ("exciting" being a descriptor I don't often use). Battle scenes, both in space and hand-to-hand, are frequent and furious; they create genuine tension. While the novel is filled with action and thus moves quickly, none of it is mindless; the plot is intelligent and credible. The writing is sharp; occasional sentences and phrases are quite clever. The characters aren't particularly deep but that's the norm in plot-driven sf. Holden and Miller nonetheless work well as archetypes that play against each other: idealist vs. cynic (although neither character is so limited as to become a stereotype). Miller's dependence on his mental construct of Julie -- throughout the novel, he imagines this woman he never met as a trusted friend, a moral touchstone -- is an effective device that humanizes Miller.
If I have a complaint, it's that having characters melt into goo is sufficiently horrific without introducing the concept of "vomit zombies" (don't ask); the latter made it difficult to take the story seriously. Fortunately, vomit zombies are a relatively minor aspect of the plot.
Leviathan Wakes is the first book in a series that will collectively be known as The Expanse. Given the quality of this novel, I'll be sure to read the next one. I would give Leviathan Wakes 4 1/2 stars if I could.


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Humanity has colonized the solar system - Mars, the Moon, the Asteroid Belt and beyond - but the stars are still out of our reach.Jim Holden is XO of an ice miner making runs from the rings of Saturn to the mining stations of the Belt. When he and his crew stumble upon a derelict ship, The Scopuli, they find themselves in possession of a secret they never wanted. A secret that someone is willing to kill for - and kill on a scale unfathomable to Jim and his crew. War is brewing in the system unless he can find out who left the ship and why.Detective Miller is looking for a girl. One girl in a system of billions, but her parents have money and money talks. When the trail leads him to The Scopuli and rebel sympathizer Holden, he realizes that this girl may be the key to everything.Holden and Miller must thread the needle between the Earth government, the Outer Planet revolutionaries, and secretive corporations - and the odds are against them. But out in the Belt, the rules are different, and one small ship can change the fate of the universe.

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