A Sport and a Pastime: A Novel Review

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(More customer reviews)A Sport and a Pastime by James Salter. North Point Press San Fransisco 1985
On the surface this is a love story. Phillip Dean, an American dropout from Yale, and Anne-Mari Costallat, a French shop girl, live and love, love, love... for several months in France. As the observer/narrator tells the story, one is never quite certain whether the narrative is an objective account of the life of Phillip and Anne-Mari or a fabricated wish fulfillment of a frustrated stymied paramour of the beautiful Claude Picquet. In the end it doesn't matter as the story ebbs and flows inexorably and smoothly through the shimmering French countryside to its tragic conclusion.
The writing is astounding. I stopped time and again to read and reread passages as the combinations of words and phrases evoked emotions and feelings that I thought not possible given the simplicity and directness of the words. There is a conciseness to both the story and the language. So much is said with so few words that one sometimes regrets that this parsimony of words brings the end too soon. I wanted the novel to continue so I might continue to savor this beautiful writing.
A wonderful novel that I will continue to read for years to come.

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"As nearly perfect as any American fiction I know," is how Reynolds Price (The New York Times) described this classic that has been a favorite of readers, both here and in Europe, for almost forty years. Set in provincial France in the 1960s, it is the intensely carnal story--part shocking reality, part feverish dream --of a love affair between a footloose Yale dropout and a young French girl. There is the seen and the unseen--and pages that burn with a rare intensity.

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The Diary of Anais Nin, Vol. 1: 1931-1934 Review

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(More customer reviews)After decades of producing fiction that was rejected by mainstream readership and reviewers for being self-centered, exotic in prose, filled with psychological theory, and coterie in style, Anais finally found acceptance by integrating all of the above in this published version of her diary. Timing is everything, I suppose. The world of the 1930s-50s simply was not ready for her. The Aquarian generation of the 1960s was. When originally published this volume did not have a number in the title because no one thought it would sell enough to warrant a second volume. To the surprise of many, it would become the first in seven volumes - and then over 20 years later the unexpurgated versions of her diaries would be published, revealing that Anais was at the time having an affair with Henry Miller. Eventually this material would be fashioned into the movie "Henry and June" (which I highly recommend). It would also pave the way for the re-issue of many of Anais Nin's long since out-of-print earlier fiction.
Anais Nin began a letter to her father, on the ship that carried her, her mother and brothers, away from him, away from Europe and to New York City. The letter was never sent (her mother did not think it appropriate), but instead developed into a diary she would continue to keep for decades. In this volume we meet Anais Nin living just outside of Paris with her husband, banker Hugh Guiler (who is barely visible in the diary, a point of contention for many who did not know that this was at his request). She has just published her study of DH Lawrence and is about to meet Henry Miller and his fascinating wife June (Nin's descriptions of June are among the most beautiful portions of her work). Her father soon reenters her life. This is a very exciting time in her life!
But what have I listed above? Nothing but a pile of facts. Facts are often boring, and seldom poetic - two accusations rarely leveled against Anais Nin. It was only after submerging myself in the history of this volume that I came to realize this: the linear history of this diary does not really matter; the accusations that Anais Nin lied about her life are immaterial. Anais Nin had a beautiful way with words and she was a master of crafting an image, of creating a persona. She was not truly the person she portrays in this volume, which she edited with Gunther Stuhlmann. But this is a beautiful and unique piece of literature that paved the way for many future artists, particularly female writers (Alice Walker has praised her work as profoundly liberating, and I can't help but think Maya Angelou took a cue from Anais Nin's concept of the continuous autobiographical novel). I have come to believe that it is not the possibility that she lied about her life that has upset so many people (some of whom refer to this as a "liary"), but that a woman should have such control over her own portrayal all the while defying so many of society's conventions.
Anais Nin may not have truly been the woman she portrays in this or future volumes, but it is the woman she wanted to believe she was - wanted the world to believe she was. I find that quite revealing, as revealing as any diary should be.
Andrew Olivo

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This celebrated volume begins when Nin is about to publish her first book and ends when she leaves Paris for New York. Edited and with a Preface by Gunther tuhlmann; Index.

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