Showing posts with label dystopian fiction. Show all posts
Showing posts with label dystopian fiction. Show all posts

MetaGame Review

MetaGame
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I have been using Amazon for nearly a decade but have never bothered to post a review until now. I am simply shocked at the quality that has been portrayed by this new independent author, Sam Landstrom. I feel like I am robbing him with the book only costing 80 cents.
I was initially uneasy with the mundane way murder was portrayed in the beginning of this book, but I found that even that initial emotion was used to build on the fantastic yet believable world that has been created. As I am terrified that I will spoil the many plot twists and revelations for perspective readers, I will defer to the official summary and just say that this is a must add to anyone's Kindle library and I am greatly anticipating Mr. Landstrom's next work.

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Life is a game, literally. Winners earn immortality, while losers are condemned to aging and death. D_Light, a gifted player, knows this all too well and he's willing to do anything to win-even kill. It is no wonder then that when given the chance to enter a MetaGame-an exclusive, high-stakes, anything goes contest-he's quick to jump at the opportunity. The MetaGame starts out well enough for D_Light, the first quest being to hunt down a dangerous fugitive, but through his own ambition, the tables turn and D_Light finds himself the renegade. Now, D_Light pits himself against his world to find the truth behind 'The Game" and must decide between winning it and saving what's left of his humanity. This 122,000 word(~400 page) novel blends emerging political and cultural trends, such as gaming culture, globalization, and the ever-increasing hegemony of corporations, with technological trends, such as genetic engineering, artificial intelligence, and virtual reality. Emerging from this stew is an original world for you to explore through the point of view of its many "players".Author's NoteI welcome any feedback you have! Here are a few options: - Post a review- Post a discussion thread on this page- email me at snoutholder at yahoo.com--This text refers to an out of print or unavailable edition of this title.

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The Vaults Review

The Vaults
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Arthur Puskis has devoted his life to the Vaults, the repository of all the official records of The City at the height of its rough-and-tumble, pre-war days. The orderliness, the routine, the proven veracity of his work provides all his existence requires. Until the day he discovers a file has been duplicated.
Ethan Poole is a tough guy trying to redeem himself after a crooked career in the ring. Now a PI, he blackmails corrupt city leaders and loves a fiery union organizer.
Top newspaper reporter Francis Frings, paramour of nightclub singer extraordinaire Nora Aspen, hears from a top city leader who has had enough and is ready to sing.
This is the setup for Toby Ball's fabulous debut novel. The Vaults traces, in these three narratives, events set in motion by that duplicate file, a blackmail case and a corrupt official's decision to come clean. Combine them with a headstrong, flawed crook of a mayor and his efforts to get a group of Polish businessmen to sign a business contract, and the ensuing crosses, counter crosses, last-minute decisions and long-range plans result in an engrossing story that the original Warner Brothers should have had the chance to film in glorious black and white.
Ball keeps everything rolling in what could have been a tangled mess. Instead, the three storylines sometimes intersect, sometimes complement each other, to propel the action along. There are poignant moments and acts of great heroism, as well as sorrow and regret. To say more about actual plot points would give too much away, and each one is well worth discovering.
But suffice to say that Ball has not only a talented way with plot, but also with characterizations both starring and walk-on. The Vaults is a throwback to a time when snappy dialogue and personal stories combined to tell rich tales of winners and losers. The novel may remind readers at times of Jonathan Lethem and Loren Estleman, especially their Motherless Brooklyn, Chronic City and Gas City.
This is a rich story that has room for orphans, stone-cold killers with Achilles heels, loyal union strikers and unlikely farmers. It has the rich and the poor, the eccentric and salt of the earth. The Vaults also has the ability to turn philosophical and ask questions that go to the very heart of what each of the three protagonists holds most dear.
The only problem with finishing The Vaults is that I wish I hadn't even started it yet, so I could have the pleasure of discovering it all over again. It's that good.


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In a dystopian 1930s America, a chilling series of events leads three men down a path to uncover their city's darkest secret.At the height of the most corrupt administration in the City's history, a mysterious duplicate file is discovered deep within the Vaults---a cavernous hall containing all of the municipal criminal justice records of the last seventy years. From here, the story follows: Arthur Puskis, the Vault's sole, hermit-like archivist with an almost mystical faith in a system to which he has devoted his life; Frank Frings, a high-profile investigative journalist with a self-medicating reefer habit; and Ethan Poole, a socialist private eye with a penchant for blackmail. All three men will undertake their own investigations into the dark past and uncertain future of the City---calling into question whether their most basic beliefs can be maintained in a climate of overwhelming corruption and conspiracy

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Soft Apocalypse Review

Soft Apocalypse
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Jasper and his tribe of formerly middle class Americans describe themselves as nomadic rather than homeless: they travel around the Southeastern U.S., scraping together the bare minimum to survive by spreading out solar blankets or placing small windmills by the highway to collect energy from passing cars, then trading the filled fuel cells for food. Fewer and fewer people want to deal with the "gypsies" who use up dwindling resources, and often they meet with indifference or even violence. Jasper was a sociology major, but those skills are no longer in demand in 2023, about ten years after an economic depression set off the Great Decline and society as we know it gradually began to fall apart. So begins Will McIntosh's excellent debut novel, Soft Apocalypse.
One of the most interesting aspects of Soft Apocalypse, and something I've rarely seen done so well in a dystopian novel, is the fact that it shows society in the early stages of dissolution. Many post-apocalyptic stories show a finished end product, an established dystopia in which the Earth has already been torn apart and people are trying to survive the aftermath. Other stories show the events right before and during the actual earthquake/meteor strike/plague, with people trying to make it through the disaster as it happens. Soft Apocalypse instead happens during a period of gradual but inexorable decline: as the back cover says, the world ends "with a whimper instead of a bang." If Robert Charles Wilson's excellent Julian Comstock: A Story of 22nd America is set in post-collapse U.S.A., when enough time has passed for society to fall back into established structures and classes, Soft Apocalypse could almost be set in the same world, but a couple of centuries earlier and during the gradual collapse of the previous system.
"Gradual" is the key here: Soft Apocalypse shows normal people clinging to the shreds of life as they knew it, while things slowly go from bad to worse. Many still hope that the economy will pick up and life will go back to what it used to be. Even though the streets are filled with homeless people and unemployment stands at 40%, others can still drive a car to work. Walmart still operates its stores, even if they raise prices to extortion-like levels whenever there are reports of a new attack or designer virus. When they can afford the electricity, people still watch cable news to find out about wars and disasters abroad, and even if there's a developing pattern of widespread war, it's all distant enough to seem unreal--until it starts getting closer and closer.
Soft Apocalypse consists of ten chapters and covers about ten years, with anywhere from a few years to a few months passing between chapters. Jasper narrates the story in the first person, dividing his attention between his struggle for survival in the slowly disintegrating society and his attempts to find love--because even during a slow apocalypse, people still crave romance, improvising dates and respecting the social niceties. When it comes to his love life, Jasper sometimes reminded me of a less music-obsessed version of High Fidelity's Rob Gordon: a generally nice, sensitive and intelligent guy who isn't aware of how clueless he occasionally acts when it comes to women. Throughout the novel, Jasper tries to find love while doing his best to survive the dangers of the collapsing society around him.
Negatives? Very few, if any, and definitely all qualified with a solid "but." Early on, the novel feels more like a collection of connected short stories because so much time passes between the chapters, but Jasper and a well-drawn cast of side-characters pull everything together until a plot emerges, and even before that happens, the story is hard to put down because of the gorgeous but bleak descriptions of life during societal collapse. Also, "bleak" may be too mild a term for some of the horrors that Jasper and his friends encounter: there were a few times I just didn't expect Will McIntosh to push things that far, but at the same time, you have to admire him for not shying away from scenes that would surely be cut from the Hollywood version. The plot sometimes seems driven by random, often violent events, but then again, life in this novel's environment would probably be full of random, violent events. More importantly, even though it may not seem that way early on, all of them have a meaningful impact on Jasper's personality, leading to an ambivalent ending that I'm still coming to terms with.
Soft Apocalypse, while not perfect, is a great achievement for a debut. It took me by surprise early on and never let go. It's a short, effective dystopian novel that should go down well with people who enjoyed the aforementioned Julian Comstock: A Story of 22nd America by Robert Charles Wilson or even The Rift by Walter Jon Williams. (Maybe not coincidentally, Will McIntosh participated in Williams' Taos ToolBox workshop in 2008.) The real sadness of Soft Apocalypse is seeing normal people operating under the illusion that life will still go back to what it used to be. They try to hold down a job or complete a post-grad degree, and even though the world falls apart around them, the changes are too gradual for them to lose hope completely. It's like watching rats in a maze, unaware that their paths are slowly being closed off around them and the maze is starting to catch fire at the edges. A soft apocalypse, indeed.

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Inside Out (Harlequin Teen) Review

Inside Out (Harlequin Teen)
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Trella was born as a scrub. As a scrub, she works ten hours, then gets ten hours off, with a break only every five hours. In short, she never gets time to herself. Trella often escapes into the pipes to find what isolation she can away from the crush of bodies and horrible living conditions that make up the life of a scrub. As such, she has earned the nickname (often said with a sneer) of "Queen of the Pipes." However, the nickname manages to get her pulled into a deeper plot when a new Prophet turns up, saying that he knows a way to get Outside--a possibility that would allow Trella to leave the life of being a scrub behind.
INSIDE OUT has been the best and most promising series of the Harlequin Teen titles I have read. Not only does Maria V. Snyder break the imprint away from the urban fantasy-heavy selection. From that angle, Maria V. Snyder's approach is refreshing. However, this is my first venture into Snyder's works. So even though I cannot truly comment on how INSIDE OUT fits in with her "Study" or "Glass" series, I have a feeling that the setting and ideas of INSIDE OUT are quite a departure from those works.
Trella is an interesting character. Like many young adult books, she's an outsider even amongst those she grew up with (although her protective friend, Cog, is an exception). She struggles between being a self-absorbed teenager and doing what is right (often contrasting in Cog's stellar example). I liked this very human picture of Trella and never disliked her for her faults. Rather, I think her development enhanced the story greatly. Her relationships with others highlight her strong and weak points while contributing the greater story. Particularly, I liked the relationship between her and Cog. He's the protective older brother figure that understands her better than she wants to understand herself and protects her even if she doesn't want or realize it: "I would never have had the patience to fight my way along the main paths, but Cog's thick body left a wake behind him. I followed along in this space, walking without effort and without touching anyone. A moment of peace" (p13).
I really empathized with Trella. She isn't the sort of girl to ask for help or trust. And she's definitely not the sort of girl who just gives herself up to the moment. She always has to be the one in control (as much as possible for a scrub). This is shown, as in the passage above, where she doesn't directly acknowledge Cog's help, but simple basks in the moment of peace she so badly needs. This sort of character is both strong and brittle, so I was very interested to see how the romance would come into play, because Harlequin Teen is definitely a line known for its romance. I figured that Trella's not the sort to throw herself into the arms of a man without a thought or trust anyone easily. In the end, these characteristics made the eventual romance pleasantly well-rounded and slow to develop (considered a positive by this reviewer, although I'm sure I'll be in the minority opinion).
Trella's character is perfect for her environment. The story fits the aspects of dystopia, because INSIDE OUT definitely tells the story of a society that suffers from class issues, overcrowding, misery, and poor living conditions. There are several divisions: Inside vs. Outside and Uppers vs Scrubs. The really great thing about these fragments of a society is that Snyder uses all to the fullest extent to tease out her themes. Trella, as a scrub, is ignorant of the Uppers life; the Uppers, in turn, are completely ignorant of the scrubs; both the Uppers and scrubs (except for the mysterious Controllers) know nothing about the Outside. All of this is explored slowly and through the growing perceptions of Trella. Working through Trella's view made the themes more subtle than they otherwise would have been otherwise, which I appreciated. And there's quite a list of themes. I'd have to say that if I had to boil everything down to one idea, it would be "control over people." Snyder explores the idea through propaganda (well done), procreation/health (well done), abuse and torture (decently carried out). Thus, there's both physical and mental control over people, which has always been an intriguing topic for me. Yet, the genre explores more than just dystopia: there's some science fiction that comes later in the story and a strong, but delicate touch of romance throughout the second half. Really, the world Snyder invented is fun to discover, because she releases information slowly and in bits.
Another thing I appreciated about INSIDE OUT was that everything was returned to with time. The very few things not engaged completely were at the very end and I assume left over for the sequel, OUTSIDE IN.
If anything, the only things I would criticize with the story are minor. The pacing was a little rough in a few areas and despite finishing the book in a night, I wasn't absolutely hooked. I enjoyed reading the book thoroughly, but was easily knocked out of my reading by a question or tangent thought (at one point I actually flipped back in the book to verify Snyder's adjusted week/year system). Regardless, I'm looking forward to the second installment to see where Snyder has Trella cause trouble next...

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Keep Your Head Down.Don't Get Noticed.Or Else.I'm Trella. I'm a scrub. A nobody. One of thousands who work the lower levels, keeping Inside clean for the Uppers. I've got one friend, do my job and try to avoid the Pop Cops. So what if I occasionally use the pipes to sneak around the Upper levels? The only neck at risk is my own…until I accidentally start a rebellion and become the go-to girl to lead a revolution.

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