Showing posts with label direction. Show all posts
Showing posts with label direction. Show all posts

Out of the Saltshaker & into the World: Evangelism as a Way of Life Review

Out of the Saltshaker and into the World: Evangelism as a Way of Life
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Pippert offers a timely reminder to Christians that we are all called to exemplify Christ in all situations, and to be attentive to what tactics to use. Particularly important was her emphasis on the fact that people are not projects, but rather, children of God who are valued by God and should be treated as such. Pippert's obedience to God is an inspiration. A must read for all Christians.

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In 2006, Christianity Today voted this title to be one of the top 50 books that have shaped evangelicals!A year 2000 Finalist in the ECPA book competition!"Christians and non-Christians have something in common," writes Rebecca Pippert. "We're all uptight about evangelism."So begins the bestselling book on evangelism as a lifestyle. Through stories, biblical insight and plain common sense, Pippert helps us feel relaxed and enthusiastic about sharing our faith. She offers an inspiring view of what effective, engaging evangelism might look like--for individuals as well as for churches through memorable stories, like this one:When I first came to Portland, Oregon, I met a student on one of the campuses where I worked. He was brilliant and looked like he was always pondering the esoteric. His hair was always mussy, and in the entire time I knew him, I never once saw him wear a pair of shoes. Rain, sleet or snow, Bill was always barefoot. While he was attending college, he had become a Christian.At this time a well-dressed, middle-class church across the street from the campus wanted to develop more of a ministry to the students. They were not sure how to go about it, but they tried to make them feel welcome. One day Bill decided to worship there. He walked into this church, wearing his blue jeans, T-shirt and of course no shoes. People looked a bit uncomfortable, but no one said anything. So Bill began walking down the aisle looking for a seat. The church was quite crowded that Sunday, so as he got down to the front pew and realized that there were no seats, he just squatted on the carpet--perfectly acceptable behavior at a college fellowship, but perhaps unnerving for a church congregation. The tension in the air became so thick one could slice it.Suddenly an elderly man began walking down the aisle toward the boy. Was he going to scold Bill? My friends who saw him approaching said they thought, You can't blame him. He'd never guess Bill is a Christian. And his world is too distant from Bill's to understand. You can't blame him for what he's going to do.As the man kept walking slowly down the aisle, the church became utterly silent, all eyes were focused on him, you could not hear anyone breathe. When the man reached Bill, with some difficulty he lowered himself and sat down next to him on the carpet. He and Bill worshiped together on the floor that Sunday. I was told there was not a dry eye in the congregation.The irony is that probably the only one who failed to see how great the giving had been that Sunday was Bill. But grace is always that way. It gives without the receiver realizing how great the gift really is.As this man walked alongside of his brother and loved him with all that he had received from Christ's love, so must we. This man was the good Samaritan. He made Bill feel welcome, feel as if he had a home. So he also knew the secret of the parable of the prodigal son: there finally is a homecoming, because we really have a home to come to.This thoroughly revised and expanded edition of Out of the Saltshaker is now even more valuable, with new chapters on the natural stages of evangelism (cultivating, planting and reaping), new stories of God's work in people's lives and added material on meeting the challenges of the new competitors to Christian faith. Out of the Saltshaker is more than ever a rare book--one that is both fun and deep, light and life changing.

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The Five C's of Cinematography: Motion Picture Filming Techniques Review

The Five C's of Cinematography: Motion Picture Filming Techniques
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As an amateur just starting to get serious about turning my "home movies" into something people actually WANT to watch, I searched for a long time to find an introductory book that not only told you HOW to do things, but WHY you should do them.
After many disappointments, I found this book. While some of the references (script girl is particularly amusing) are very dated, the text mainly covers technique and avoids technology.
The illustrations and printing style point quite obviously to the book's mid-60s origin. An introduction by someone who remembers what it was like to shoot film in 1908 and knew D.W. Griffith personally should tip you off immediately that this book is something special. Still, the illustrations are clear and help illustrate the text's points very well.
In spite of what many recent amateur (and professional) film makers think, technology does not make your film good, it just makes it easy. TECHNIQUE makes it good. And that's what this book teaches in a very clear, readable, and understandable way.
Very highly recommended if you've had your fill of general introductory texts and are looking for real instruction and explanation for how to actually MAKE a film.

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With the aid of photographs and diagrams, this text concisely presents concepts and techniques of motion picture camerawork and the allied areas of film-making with which they interact with and impact. Included are discussions on: cinematic time and space; compositional rules; and types of editing.

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Screenplay: The Foundations of Screenwriting Review

Screenplay: The Foundations of Screenwriting
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Reading reader reviews of books on writing for the screen is about like reading reviews of movies: There's a lot of disagreement between the eyes of beholders. I sometimes think I should ask the reviewers at Mr. Showbiz what I should get high on before going to see what they consider a masterpiece.
"Screenplay" was sent to me by a movie producer who asked me to write a screenplay for a book I wrote. When I lamented that I knew nothing about writing screenplays, he said the book he'd just read proved to him I could write; all I needed was to understand some important aspects of the screenplay vs. the book.
I've learned a lot from Syd Field. "Screenplay" clearly showed me the visual aspects of film, "It's all about pictures," Field stresses over and over. If I learned nothing else from him, how to put a screenplay into professional format would make "Screenplay" worth the trip.
Sure, I had to study the book, go back over it several times before I got this, or that. But gosh, diving into writing screenplays isn't like a lesson in Microsoft Windows -- click here, drag that over there.
There's a lot to learn, and Syd Field offers a lot of guidance for the serious student. I don't care if he's never written a screenplay. Some of the very best book editors wrote nothing except editorial marks on others' works. The fabled Scribner's editor of old, Max Perkins, who brought some of their best out of Scott Fitzgerald, Hemingway, James Jones, Marjorie Kennan Rawlings, etc. etc., never wrote a book.
I'll say this: If you want to read a book on screenplays and put it down with the feeling you're ready to roll, don't bother with anybody's book on the subject. But if you really want to learn, if you have the requisite creativity -- AND gritty energy -- you'll get your money's worth from Syd Field's "Screenplay."
Also, his "Four Screenplays" has been very helpful to me. Field has a way of reinforcing things by saying them a different way, in a different setting. I really didn't get his advice to "get into a scene late and get out early" until I read this book. And didn't he pick some dandies? "Thelma and Louise" and "The Silence of the Lambs" are the two I studied most diligently, and what a ride it's been. Two great, great movies, to my mind, both demonstrating what Syd Field repeatedy shows us are important elements of fine screenplays.
One other thing, Field's coaching has put a tiny new edge on my writing skills as regards books, too, a benefit he probably didn't expect a writer would obtain.

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