Showing posts with label debut novel. Show all posts
Showing posts with label debut novel. Show all posts

13 to Life Review

13 to Life
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I'm gonna be brief because i don't particularly enjoy reading long reviews. All I'll say is I was sadly disappointed. I was looking forward to reading this, intrigued by the caption, and bought it as soon as I could. It took me a month to get through, and I'm surprised I even finished it. And I read books FAST. The characters make decisions that I simply don't understand, cause most of their problems due to these silly decisions, and there is honestly no depth to the plot. The book is like reading a list of problems and seeing a bunch of characters you don't particularly care about mope around in self pity. I don't mean to sound harsh, but this book really was such a let down. Though the author does leave potential for an interesting sequel, indicating toward the end (which, if you do read the book, I'd skip to because it's the only time in which anything happens) that the plot may pick up from there, I don't know if I'll bother to read it because of my extreme disappointment with this one. Maybe I'm just getting a wee bit tired of all this repetitive paranormal romance, but I haven't had any other problems in the genre recently. Maybe the sequel will be better. Anyway, unoriginal (or for those that were original, incomplete) plot lines and some characters that just fell flat with me. It seems that the majority of reviews differed from mine, which surprised me, but maybe I'm just impatient for a really riveting read which this was not. Disappointing, but not the worst I've ever read.

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The Fates Will Find Their Way: A Novel Review

The Fates Will Find Their Way: A Novel
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How often, in this day and age, does an author find a completely original way to tell a story? Avid reader that I am, I'll tell you: Not very often. And how often, after reading a novel in a single sitting, do write an immediate review? Not very often. And how often does a debut novel--any novel--affect me this powerfully? Not very often.
This is my immediate reaction to The Fates Will Find Their Way by Hannah Pittard. It is, and is not, the story of the disappearance of sixteen-year-old Nora Lindell. More accurately, it is the story of the vacuum left in Nora's wake, and of how that vacuum is filled. The tale is told in reflection by the men who were the neighborhood boys that Nora left behind, and it is told entirely in the first person plural. If you're wondering how that sounds, it sounds like this:
"It seemed we had all finally stopped looking for her, asking about her. It was a sickness, a leftover from a youth too long protracted. Of course we still thought about her. Late at night, lying awake, especially in early autumn, when we could fall asleep for a few weeks with the bedroom windows open, the curtains pulled halfway, a breeze coming in and the occasional stray dry leaf, we still allowed ourselves the vague and unfair comparisons between what our wives were and what she might have been. At least we were able to acknowledge the futility of the fantasies, even if we still couldn't control them."
This novel is a collection of those boys' fantasies, the fleshed out conjectures based upon shreds of evidence presented by impeachable sources. And, in the sharing of these speculative outcomes for Nora Lindell, we learn the true outcomes of the close-knit group that she left behind--from the immediate aftermath of her disappearance, through the decades that follow. And we see how Nora's absence shaped each of their lives.
Nora's friends are a true community, kids who grew up together and stayed local. They have a shared history. And time has transmuted Nora Lindell's fate from mystery to mythology. Their tale is told in a collective voice, and yet, individuals stand out. Paul Epstein, Jack Boyd, Winston Rutherford, Chuck Goodhue, Stu Zblowski, Drew Price, Marty Metcalfe, Trey Stephens, and Danny Hatchet all have their own stories that unfold along with their theories of what happened to Nora.
Even with the unusual voice, I found this book fully emotionally engaging. Reading it, I couldn't help but reflect on my own past, my relationships, stories I've heard, and so forth. This novel is plot-driven, literary, experimental, spare, and absolutely beautiful. One week into the new year, I'm confident that I've just read one of the top books of 2011.

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Split Review

Split
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When his abusive father kicks him out for having the audacity to fight back, 16-year-old Jace Witherspoon has only one place to go--his older brother Christian in New Mexico. From Chicago to Albuquerque is not an easy trip, particularly if you have only recently gotten your license and don't have money, but Jace goes with the faith that his brother will take him in.
You see, Christian ran away several years ago and has found a new life for himself. Having lived through their father's abuse, Christian knows exactly what Jace is going through.
Unfortunately, two abused kids do not necessarily make the best roommates. They've got a lot of trauma, secrets, and bitterness to live through. They do have help from Christian's English teacher girlfriend, Mirriam, and Jace's co-worker, Dakota.
Can they ever feel safe from their Dad? And can they get their Mom, who they both fear is going to be killed by their father away?
"Split" is a compelling read from the first line to the breathless end. While the story's not a thriller per se, this relationship novel definitely had me on the edge of my seat all the way til three AM. This is an excellent book for older young adults and even adult readers will enjoy the finely-drawn characterization and heart-pounding pacing.
Rebecca Kyle, January 2010

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Cracked Up to Be Review

Cracked Up to Be
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I have no idea how to express my feelings about this book. It's powerful, emotional, important, and really spoke to me.
The book takes place a good time after some sort of upsetting event has occurred. Everyone has gotten over it to the best they could except for Parker and that's because she finds herself guilty for some reason and no one else knows about it.
When reading this book you literally see Parker fighting with her memories. Everyday things bring up the memories of that night and we only get a little taste before they are pushed back out of her mind. Because of the way this is written you can't put the book down and also can't pinpoint what this upsetting event is. You can guess, but you are probably wrong.
I was so wrapped up in this book that in the end when that night is fully explained and I found out just what has happened, I sat up and said out loud, "Oh My God" for me that moment of understanding Parker was very powerful. Everything came full circle and I found myself identifying (to a less severe degree) with her feelings of guilt and loss of control.
This book is amazing. Just read it, immediately. I could talk about the tons of other things I liked, like Parker's sassy Veronica Mars-like attitude, the great secondary characters etc. but I rather you read the book and fall in love with it just the way I did!

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Just the Sexiest Man Alive (Berkley Sensation) Review

Just the Sexiest Man Alive (Berkley Sensation)
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I've been a little leery of reading debut authors lately after one too many bad experiences, so I admit I did hesitate in picking up this book (even though I loved the cover and it kept drawing me back to it). Definitely a mistake on my part. Just the Sexiest Man Alive is one of the best debut novels I've read in a very long time! As a fan of virtually every sub-genre in romance, I found it surprisingly refreshing to have a light-hearted, sweet, romantic storyline without a vampire or serial killer in sight. Contemporary romance seems to be on a downward shift lately and authors are more frequently jumping onto the paranormal bandwagon (which I am a fan of, but every now and then you just want to pick up a nice boy-meets-girl story without a lot of subplots and angst involved).
This book follows a somewhat simple premise, but puts a unique spin on it. Yes, boy-meets-girl, boy-ticks-off-girl, hate at first sight ensues, but the difference being that girl is a very successful lawyer and boy is "The Sexiest Man Alive" (three times over) and the biggest name in Hollywood. An unbelievable plot told in a very believable way. When Taylor Donovan finds out she is supposed to "coach" Hollywood playboy Jason Andrews for his new upcoming legal thriller that he's scheduled to film, she's initially star struck. But after a no-show (twice) on his part, she's not impressed when he saunters into the courtroom two days late and a dollar short.
These two characters start their first scene off with a bang and the witty banter (especially during their first meeting) kept me turning the pages. There is sexual tension in nearly every scene - although actual consummation of said tension is very limited. I finished it in less than a day and actually found it hard to put down.
If you're looking for a light contemporary romance, this is definitely a book I would recommend. If her next book is as good as this one, I've found a new autobuy author!

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The Breach Review

The Breach
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I've tried reading thrillers before, but they never really thrilled me. Ticking clock, world's going to end, bulky hero with unlimited martial prowess. Boring.
Then I read The Breach and my concept of thriller was turned on its head. By page 8, Travis Chase stumbles across a downed plane with the First Lady on board. From then on the tension does not stop. There is no dreary exposition, drawn out descriptions, or useless subplots. Places to rest end up being the exact opposite.
At times, I put the book down to just think about how amazing it was. There are scenes I had to process bits at a time so that I was sure to savor every line.
And the action. Thrillers I've read before (and maybe I've just been unlucky, I've only read a few) have basic action. He shot the gun, he dove under the table, etc. The action is this book is so crisp, so visual, it's disturbing. Sometimes very disturbing.
All the high tension cards stack up until the end, when they're blown down in one big twist that will leave you shaking your head and smiling and wishing book 1 would morph into book 2 in your hands.

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Wither (The Chemical Garden Trilogy) Review

Wither (The Chemical Garden Trilogy)
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Lauren DeStefano's debut novel, Wither (The Chemical Garden Trilogy), opens with a harrowing scene: young women have been plucked off the streets and forced into the back of a van. Some will be killed, and others will be sold into polygamous marriages. Ever since geneticists made a mistake, all women die at age 20 and all men at age 25. Along with two other women, Rhine is sold to a wealthy man as a replacement for his dying wife. Locked away in his mansion, Rhine must decide whether to accept the life of luxury she's been provided or whether to risk everything to escape back to a world of freedom and her twin brother.
WITHER opens with the best first chapter I've read in a while, and the story's hook will grab readers immediately. The book excels in its chilling depiction of the realities of Rhine's world, and the writing doesn't shy away from descriptions about sex and sexuality, the inner workings of the polygamous marriage, and how different people would adapt to the situation. Through its story, the novel also touches on hot issues like assisted reproduction and genetic engineering. Rhine and her two sister-wives, Cecily and Jenna, are sympathetic as characters in their own unique ways. I found their complicated relationships with one another to be the most compelling in the book. The novel also finishes with an ending that can stand on its own, even with the known sequel forthcoming.
Despite the extremely strong opening, storyline, and created world, the book faltered a bit. The mythology and world building regarding the "virus" and the resulting society was not always clear and had some plot holes. Rhine's romantic relationship with Gabriel, the servant boy, wasn't very moving, and some of the characters' actions were unclear in their reasoning or felt manufactured. For example, Rhine's flip-flopping about whether to stay or leave didn't always feel genuine. The different relationships depicted between Linden, the husband, and each of his wives also felt out of character for each woman at times.
While I did find a few things that could be improved, DeStefano is obviously a strong new force in the young adult dystopian genre, and I look forward to seeing where book two in her trilogy leads.
Note: This review refers to an advance reader's copy.

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The Duke of Shadows Review

The Duke of Shadows
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Lest you be deceived, this is not a rompy, light-hearted English historical like we see so often. This is a real, gritty story of love during wartime.
In 1857, Emmaline Martin's parents are escorting her to India to marry her lifelong fiancé, but their ship is lost at sea and Emma is the only survivor. Continuing on to Delhi alone, Emma, an artist, begins to see the cracks in the English society she's always known, and also entertains the doubts she's held for years about her fiancé. Adding fuel to her new introspection is Julian Sinclair, her fiancé's cousin who is somewhat marginalized by society because he's one quarter Indian.
Julian is a playboy straddling two worlds. Heir to an English Duke, he struggles to reconcile his two cultures. When an Indian uprising turns the English colonial world upside down Julian helps Emma escape and they take a rough journey toward safety.
This book was magnificent. It has been so long since I enjoyed a new historical this much. It has so much going for it I don't know where to begin. First, the setting: the first half of the book takes place in India, which I love. Duran's India is raw and real and exhilarating. She has a grasp of action and battle scenes rarely seen in Romance, my heart was honestly pounding during one scene. Her grasp on not only colonial India, but on Victorian London society make the book more like an experience than a read. Clearly she knows her stuff.
But the best part of this book--oh my gosh--is the characters. Emma is a complicated, genuine woman. She's independent for her time, but not a transplanted twenty-first century woman either. Her character development is the best I've seen in a heroine for longer than I can remember. She's a real artist: she feels her feelings, lets her heart overwhelm her, and doesn't fear passion.
Julian takes a bit of a backseat to Emma's internal journey, but he's still a compelling hero in his own right. I love his struggle with his English and Indian identities, it's very well done. He's had a pretty hard luck life, but he doesn't have a lot of ridiculous hang-ups or anything. Really, he's the perfect hero for this book, he has depth and shadows, but they're not overwhelming.
My only small quibble is that later in the book Emma gets emotionally hung up on something she did during the uprising that doesn't feel right to me. What she did, and why she did it was perfectly understandable, and it's hard for me to imagine the Emma from the first half of the book letting something like that get to her, and it feels like something forced to keep some suspense in the plot. But even still, it's a minor irritation in an amazing book.
I give The Duke of Shadows 5 stars out of 5, which I've never done. It's a good thing I didn't check the Amazon reviews before I bought this (it was an impulse buy at Borders after I read the first couple of pages) or I may never have found it as it has only excellent reviews, but in this case I have to say I heartily agree with them. Imagine my surprise, though, when I see on Amazon that this was a debut novel! Wow. Can't wait to see what Duran does next.


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In a debut romance as passionate and sweeping as the British Empire, Meredith Duran paints a powerful picture of an aristocrat torn between two worlds, an heiress who dares to risk everything...and the love born in fire and darkness that nearly destroys them. From exotic sandstone palaces... Sick of tragedy, done with rebellion, Emmaline Martin vows to settle quietly into British Indian society. But when the pillars of privilege topple, her fiancé's betrayal leaves Emma no choice. She must turn for help to the one man whom she should not trust, but cannot resist: Julian Sinclair, the dangerous and dazzling heir to the Duke of Auburn. To the marble halls of London... In London, they toast Sinclair with champagne. In India, they call him a traitor. Cynical and impatient with both worlds, Julian has never imagined that the place he might belong is in the embrace of a woman with a reluctant laugh and haunted eyes. But in a time of terrible darkness, he and Emma will discover that love itself can be perilous -- and that a single decision can alter one's life forever. Destiny follows wherever you run. A lifetime of grief later, in a cold London spring, Emma and Julian must finally confront the truth: no matter how hard one tries to deny it, some pasts cannot be disowned...and some passions never die.

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Child of Fire: A Twenty Palaces Novel Review

Child of Fire: A Twenty Palaces Novel
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The main thing I would say to potential readers is to judge this book on its own merits.
A number of reviewers compare "Child of Fire" to Jim Butcher's "Dresden Files" novels. Yes, this is Urban Fantasy. Yes, this is Dark Fantasy. Aside from that, I didn't find a lot of similarities. Keep in mind, just because Butcher likes a book, doesn't mean that it's the same kind of book that he writes!
Ray Lilly is in prison. We get some hints as to why, but I expect his back story to be revealed gradually in forthcoming books in the series. He is released from jail by the "Twenty Palace Society". We know even less about them, just that their mission is to track down and destroy anyone who is using magic. (Besides them, of course.) He is assigned to work with Annalise, and we don't know a whole lot about her either, other than that she is almost indestructible and has a really bad attitude about almost everything. Especially Ray. Who she fully expects to die very soon.
They are sent to a small town to investigate the disappearance of children, and the strange fact that once they disappear, no one remembers them. Not even their parents. The rest, as they say, is the story. And it's told very well. The narrative is tight and fast paced. The main characters aren't very likable, as some reviewers have mentioned. And on first appearance, they're not. But we don't know a lot about them, and they have a very unlikable job: killing anyone who has, or has been touched by, "unauthorized" magic. And that means there is frequently a lot of collateral damage.
This is obviously the start of a series. I'm willing to give Ray and Annalise the benefit of the doubt for now, until I know about them and their mysterious employer.
This is not Dresden Files, so don't expect a likable wizard, a sarcastic skull and a cute police woman. And don't expect much humor, unless it's the very, very dark kind. One reviewer compared the book to Lovecraft's Cthulhu Mythos. Sorry, I disagree completely. This book isn't much like the Mythos at all, except that they are both in the dark fantasy and horror genre.
This book is dark, grim, and frequently unpleasant. And withing those parameters, it's an excellent book. If this is the kind of story you like, then I recommend that you give it a try. But approach it without expectations. Don't expect Butcher, Lovecraft, King, Koontz, or anyone else. Just expect Harry Connolly, and let him take you into his own dark world.


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