Average Reviews:
(More customer reviews)I really like this book. Mencken's prose and unflinching attitude is like no other author I have read. I don't know if they used the middle finger in the early 1900s but if so, then HLM was its personification. If you were to tally his word usage in the book I believe "idiot", "imbecile", "buffoon", "moron" and "mountebank" would be near the top.
This book contains one of my favorite essay and the single biggest reason to own this book, his piece on the critical process. It's only a 10 page essay but it's probably the most eloquent. For whatever reason he put it around page 450, but I would recommend reading it first. It puts a reader in the right frame of mind for reading Mencken's essays. He explains a worthwhile critic is not so much concerned with truth or detail. Instead a truly great critic takes the target of the criticism and uses it to develop his own original ideas. It separates those who would just be archivists with those who would be artists. Clearly, Mencken was not concerned with the former, he was concerned with art and he was an artist.
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