I Heart You, You Haunt Me Review

I Heart You, You Haunt Me
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He's here, in this room, right now. Jackson. Ava knows he's dead, and that it's impossible, but that doesn't stop her from being able to smell his unique, sandalwood aftershave. Or seeing his image in her mirror, hearing his words in her head,and finding him in her dreams. Her boyfriend is a ghost, and it's Ava's fault he's dead to begin with.
So now what?
Ride the waves of Ava's emotions, sometimes rippling, sometimes crashing, in this haunting book. Written in verse for maximum impact, the book grips readers and keeps them turning page after page, waiting for a release that never comes. I know, because I'm still waiting to be released from the clutch of feelings invoked by Ava's tale.
That's why I'm nominating this one for the Gold Star Award for Excellence in the TeensReadToo Hall of Fame. This award is reserved for books that we'll read again and again. A definite for me in this case.
Reviewed by: Julie M. Prince

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Girl meets boy. Girl loses boy. Girl gets boy back... ...sort of. Ava can't see him or touch him, unless she's dreaming. She can't hear his voice, except for the faint whispers in her mind. Most would think she's crazy, but she knows he's here. Jackson. The boy Ava thought she'd spend the rest of her life with. He's back from the dead, as proof that love truly knows no bounds.

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Some Girls Are Review

Some Girls Are
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Three words: (some girls are) very very mean
I really wish I could write an intellectual, well thought out, comprehensive review, that could do an exceptional book justice. Because if a book ever deserved that type of review it would be Some Girls Are.
I honestly don't know how Courtney does it. How can she write a character that is a b****, in all essence of the word.... and make me like her.... feel sorry for her even! I should hate her, hate all that she stands for, for all those b****es in high school that thought they were.... well that's another story for a different day.
That's who Regina is- a b****, and yet, I empathized with her. I felt sorry for her. I found myself nodding in agreement, with her conniving plans to get back at the girls that were making her life a living hell. Who brainwashed me into feeling this way... Courtney Summers did, that's who. She manipulated me with her words! She used her amazing talent to deconstruct my view of something that had always been black and white, b**** and non-b**** and made it... GRAY! How dare you!? Now I'm wondering... do b****es have feelings too....? Do b****es deserve second chances. Do b****es deserve the sweetest guy on the planet?
Speaking of sweetest guys on the planet.... was anyone else feeling that tension between those two, or was it just me. I know it couldn't possibly be just me... but I just wanted to scream..KISS HER ALREADY! I know you hate her, but give her a big ole' I hate you kiss!
I really wanted to do intellectual, but it's obviously not happening.
Seriously though... I can't say enough good things about this book. Courtney has a very distinct style, and I really enjoy reading her books. She has great characterization, the plot is just insane... when you think these girls couldn't be more mean, well they can and they Are.
I could not put this book down, and yet.. it was hard to read. I literally picked it up hoping to get a few chapters in and ended up reading the whole thing through.
The realistic portrayal of these girls is absolutely disturbing, in a grossly addicting way. You don't want to see what horrible things they do next... yet you do. How is that possible... am I just a masochist like that?
And here I raise my glass... to Courtney Summers... the queen of mean. Not that I'm saying Courtney is mean, she is in fact very sweet, but damn, she knows how to write some mean ass girls.
I'm ready for book three, NOW.

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Undone (Outcast Season, Book 1) Review

Undone (Outcast Season, Book 1)
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Undone is the first book of a new series from Rachel Caine. However, reader beware....you will get much more out of this book if you first read the Weather Warden series of books before you embark upon this series.
Let me say that I LOVED this book. I'm a fan of the Weather Warden series. If you've read any of that series, then you know about the ongoing struggles and alliances between the Djinn (old and new) and the Wardens (bad & good). The new series focuses on an Old Djinn who is cast out (and her Djinn powers "undone") by Ashan when she refuses to complete the task that he ordered her to complete. The Old Djinn that is cast out is Cassiel. Ashan transforms Cassiel into a human with some very limited Djinn-like powers that can only be supported by energies Cassiel draws from a Warden.
Undone is a book of twists and turns. The set-up of the book in the early chapters has many characters that you will know from the Warden series, including Joanna, David, and Lewis. Those characters introduce the situation and then spin Cassiel off to New Mexico with a Warden who accepts responsibility for watching and "training" Cassiel. As the book progresses, major characters are attacked. Cassiel must attempt to navigate her new "life" without her Djinn powers AND while under attack from "bad" wardens and an unknown force. The motives and who-done-it atmosphere of the book will keep you guessing until the very last chapter.
The book is a good introduction to the new series with a substantial hook into why additional books are required to tell the whole story. If you are a fan of the Weather Warden series, I think you will love the Outkast Season series for the in-depth look at the Djinn that is not present in any of the Weather Warden books.

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A brand new series from the author of the weather warden NOVEL S, WHO'S AS "Swift, sassy, and sexy as Laurell K. Hamilton." (Mary Jo Putney)Once she was Cassiel, a Djinn of limitless power. Now, she has been reshaped in human flesh as punishment for defying her master—and living among the Weather Wardens, whose power she must tap into regularly or she will die. And as she copes with the emotions and frailties of her human condition, a malevolent entity threatens her new existence...

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Among Thieves: A Tale of the Kin Review

Among Thieves: A Tale of the Kin
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Among Thieves is the debut novel from Douglas Hulick. Set in the grimy fantasy city of Ildrecca, it is the tale of Drothe, a hooded-assassin type and member of the city's underworld legion of criminal "Kin".
With a scruffy, dual-wielding piratical looking gentleman and a cover quote from Brent Weeks, the reader can be excused for thinking this is your standard act of adolescent escapism - roguish heroism with a sarcastic protagonist. And, to a certain degree, all of these things are true. But when push comes to shove, Among Thieves is more Locke Lamora than Night Angel. It is a cunning and well-scripted action-adventure with a surprisingly complex character at its heart. I expected guilty pleasure and found genuine entertainment.
Drothe (granted, a rather unfortunate name) is a "Nose". He works as an information-gatherer for one of the city's "Upright Men" gathering information on the city's delicate political scene. Ildrecca is divided up by the gangs of "Upright Men" with the Emperor (the land's proper monarch) and the mysterious Gray Princes playing their own, grander, game in the background. As a Nose, Drothe gets into all sorts of trouble - especially since he's running his own cons on the side. Fortunately, his best friend, Bronze Degan, is often there to bail him out.
If nothing else, Mr. Hulick gets sixteen bonus points and a silver star for not making Drothe exceptional in any way. He's clever, but knows he's not as smart as many of the real players in the Kin's underworld. He's pretty fiesty, but certainly no match for the hardened killers he encounters. He's well-connected, but still a minor part of the Kin. As for supernatural, prophesy-fulfilling powers? Er... he's got night vision (the legacy of an awkward childhood ritual), but most of the time it is more of a hindrance than a help. In fact, Drothe's unique only for his Sam Spade-like ability to be in the right place at the wrong time.
Ildrecca is a fascinating city in a thoroughly complicated world, but, like any well-crafted novel - we only learn about it through the eyes of our protagonist. As Drothe creeps about in search of a missing artifact (a book, of all things), he unravels layer after layer. Mr. Hulick's use of his homebrewed Thieves' Cant is another noteworthy element along this vein. He drops in his criminal slang naturally, letting the reader determine the meaning of each word through context and repetition. Considering the depth of both the world and the vocabulary, the fact that Among Thieves does not come packaged with appendices and glossary is a brave and utterly praise-worthy decision. Among Thieves is about the story, not the world.
Mr. Hulick also has an impressive knack for introducing other characters as people rather than representatives of a particular class, race or skill-set. Even with Drothe's enemies, we know them for their personal impact on Drothe and Among Thieves, rather than as more meaningful Big Bads. Despite the far-reaching consequences of Drothe's adventures, Among Thieves is kept as a very focused and personal story.
There are still a few bugs to work out. As mentioned above, Drothe does mostly advance through accident. He's charmingly self-aware of this, but, even so, mostly of his plotting and problem-solving takes place one episodic chapter at a time. In future books, with Drothe as an established character, it would be interesting to see him behave in a less reactive fashion.
Among Thieves is, if you'll forgive the cliche, a promising debut. Mr. Hulick has the hard stuff nailed. He's written a tight, jaunty story and filled it with a large cast of memorable personalities. Mr. Hulick has also created one of the most interesting fantasy landscapes in a long time - a land of interfering angels, shadow governments and immortal monarchs - but he keeps his priorities straight and makes sure that the world-building never takes over. At the conclusion of Among Thieves, anything could happen next, and I can't wait to find out.

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Drothe has been a member of the Kin for years, rubbing elbows with thieves and murderers in the employ of a crime lord while smuggling relics on the side. But when an ancient book falls into his hands, Drothe finds himself in possession of a relic capable of bringing down emperors-a relic everyone in the underworld would kill to obtain.

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Thing of Beauty Review

Thing of Beauty
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After I saw the HBO movie "Gia" I found myself yearning to know more about this woman's life. "Thing of Beauty" not only presents the real and compelling story of Gia from her troubled upper middle class adolescence in suburban Phillie to her rise as the "first supermodel" to her downfall to heroin, which led to her untimely death from AIDS, but is also a great historical/pop culture account of the late '70s and early '80s. Instead of giving a one dimensional look at Gia and getting caught up in the whole sapphic side of her personality like the movie, the book presents a full view of a complex and very tragic woman literally eaten alive by the world of fashion. Had I not picked up this book I never would have known that Cindy Crawford, refered to in the early stages of her career as "Baby Gia," literally owes her success to Gia. (The pictures show an uncanny resemblance.) This book was over 400 pages of tiny text and I devoured it in two days.

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Coffee at Luke's: An Unauthorized Gilmore Girls Gabfest (Smart Pop series) Review

Coffee at Luke's: An Unauthorized Gilmore Girls Gabfest (Smart Pop series)
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"Coffee at Luke's: An Unauthorized 'Gilmore Girls' Gabfest" is a Smart Pop series collection of essays put together by Jennifer Crusie, whose introduction points out the utter appropriateness of a bunch of people taking about "Gilmore Girls." As an overview she points out that the show always kept in mind the basic rules for great dialogue: keep it moving, give everybody the best lines, talk up to your audience, and remember that the best dialogue is the stuff you can't hear. For each of these she has choice examples, which will immediately cause you to counter with your own personal favorites, and suddenly you are sitting down and joining the conversation the back cover proposes when it suggests you have some coffee at Luke's.
The first section is entitled, "It All Comes Out in Moron: Personal Relationships." "Whimsy Goes with Everything" by Heather Swain argues that everybody in Stars Hollow is a little eccentric, but that Kirk is something special. "Boys Not Allowed" by Jennifer Armstrong explains why Lorelai had trouble staying engaged long enough to get married, an argument that extends to Rory since the Gilmore Girls are too busy to be messed up by mere mortal men. Stephanie Whiteside focuses on a particular relationship in "When Paris Met Rory," contending that they have one of the most problematical relationships in television history.
The second section, "The Other Relationship: Parenting," focuses more on Lorelia and Emily. In "Mothers, Daughters, and Gilmore Girls," Janine Hiddlestone analyzes the fears, disappointments, and triumphs of being a mother in Stars Hollow, focusing in the end on the reversal of Lorelai and her parents' roles when Rory dropped out of Yale. Stephanie Lehmann focuses on the "The Best-Friend Mom" idea as one of the biggest fantasies and concludes that such an ideal was no longer the case by the end of the sixth season. Charlotte Fullerton's "In Defense of Emily Gilmore" makes the case for Emily as the much maligned but third Gilmore Girl and draws a series of strong parallels between Emily and Lorelai. Miellyn Fitzwater looks at "My Three Dads," analyzing Rory's trio of father figures of Luke, Richard and Christopher in terms of the time, money, and emotional support each provides here. However, her quantitative judgment strikes me as being skewed by the money factor because her conclusion as to who comes out ahead runs counter to by watching the show.
"Second Hamlet to the Right: Stars Hollow" is the third section. Sara Morrison provides "Your Guide to the Real Stars Hollow Business World," providing a harsh dose of reality as to how the town's commerce would do in the real world (sadly Taylor's Olde Fashioned Soda Shoppe has a better chance of surviving, much more so than Luke's Diner, which has a three-times better chance of making it than the Dragonfly Inn). My favorite essay is Jill Winters' "Happiness Under Glass: The Truth about Lorelai and Life in Stars Hollow," which makes a strong case for Lorelai's ambivalence towards the town in which she lives (the "Emily Junior" section is especially telling). Stephanie Rowe's "It's Not Luke's Stubble" makes the case for Stars Hollow being quintessential New England in terms of intellectual snobbery, money, history, heritage, and winter.
The next section is called "The Best Things in Life: Food, Books, and Sex," with one essay on each. "Dining with the Gilmores" is Gregory Stevenson's look at how food is the show's third passion behind talking and reading, which ends up seeing the show's secular morality as "The Chewy Moral Center." Maryelizabeth Hart's "Reading, Rory, and Relationships" makes a compelling case for books and writing being shorthand for character and emotional development. Kristen Kidder's examines the way the young women on the show pay for losing their virginity, dealing with what happens to Paris, Rory and Lane in an essay that had to be entitled, "'That's What You Get, Folks, For Makin' Whoopee.'"
The final section, "There's Reality and Then There's Lorelai: 'Gilmore Girls' and the Real World," begins with an interesting idea. Chris McCubbin recasts "Gilmore Girls" as a 1952 screwball comedy directed by Howard Hawks and starring Katharine Hepburn as Lorelai and Audrey Hepburn as Rory. The rest of the cast list is equally intriguing (William Holden as Luke, Agnes Moorhead as Emily, Vivian Vance as Sookie). From that starting point McCubbin explores the roots of the show in the fast-talking screwball comedies of the 1930s and 40s. Carol Cooper's "'Mama Don't Preach': Class, Culture, and Lorelai Gilmore as Bizarro-World Suffragette" reconsiders Lorelai's choices as being "so inexplicable she must be part of Bizzaro World," and concludes they are more bold than they are bizarre.
The back of the book includes a section of "Coffee at Luke's-isms" that explains veiled references in the essays from "7th Heaven" and "The actor became Alexis Bledel's real boyfriend off the show" to "Wicked Witch of the West" and "William Holden." This is the third completely unauthorized volume in the Smart Pop series that I have read and to date they have all provided food for thought in bite size morsels. So those essays that are not particularly interesting to read do not last long, which trades off against those where you would like to hear more of what the author has to say. Fans of "Gilmore Girls" will not be disappointed checking this out, especially since there are no new episodes to look forward to anymore.

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You Get So Alone at Times That It Just Makes Sense Review

You Get So Alone at Times That It Just Makes Sense
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A collection of poems by Charles Bukowski is always a great joy. I followed his career since I was in high school back in the early 80s. He wrote a series of short stories for High Times magazine which I eagerly devoured. Then I moved on to his poetry. This collection: You Get So Alone At Times That It Just Makes Sense is from 1986 when Buk was already a bit older and more reflective. This is around the time that his work began to reveal a degree of tenderness to go with his raw tough edged muse. Many say he lost it at this point. I disagree with that assessment. True it does not display the intense passion of Love Is A Dog From Hell but it is a great work on its own merit. Open it to any page and start reading. This is still vintage Hank. Aging Buk still has more blood and guts than most poets achieve ever. Anyone can just scream and curse. Bukowski obviously achieved something greater than that. And given how some other postal workers turned out, we should be grateful that Buk took to firing poems instead of bullets. Two thumbs up!

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